{"id":9,"date":"2008-02-01T09:58:27","date_gmt":"2008-02-01T16:58:27","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=9"},"modified":"2008-06-03T10:07:09","modified_gmt":"2008-06-03T17:07:09","slug":"meeting-notesroyaltieseventstriviacomments","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=9","title":{"rendered":"MEETING NOTES\/ROYALTIES\/EVENTS\/TRIVIA\/COMMENTS"},"content":{"rendered":"<p>This mailing details the Jan, 07 Local 47 membership. We also discuss the Copyright Royalty Board Hearing to Determine Mechanical Rates for Songwriters; concerts; trivia and comments from readers.<\/p>\n<p><!--more--><\/p>\n<p>I.\tMEMBERSHIP MEETING RESULTS<br \/>\nII.\tARTICLE CONCERNING SONGWRITER ROYALTY RATES<br \/>\nIII. \tCONCERTS AND EVENTS<br \/>\nIV.\tTRIVIA<br \/>\nV.\tREADER COMMENTS<\/p>\n<p>===================<\/p>\n<p>I. MEMBERSHIP MEETING, JANUARY 28th<\/p>\n<p>Once again, quorum was achieved, allowing Monday night\u2019s meeting.<br \/>\nApprox. 137 members attended.<\/p>\n<p>Interim Director Gary Lasley, with 100 votes, was officially<br \/>\nawarded the vacant seat on the Executive Board. The Election<br \/>\nBoard, headed by Michelle Bryne, did their typically efficient<br \/>\nand professional job, as we\u2019ve come to expect.<\/p>\n<p>The bright spot of the evening was that we had no less than<br \/>\nfive candidates run for the seat!  Rank-and-file activism is alive,<br \/>\nbut will only sustain itself on the efforts of those who are<br \/>\nwilling to show up and be counted:<\/p>\n<p>The others who ran for the seat were:<br \/>\nRuth  Bruegger               12<br \/>\nRon Hess                        12<br \/>\nVal Ewell                        10<br \/>\nDr. Les Bergantino           2<br \/>\n1 abstention &#8211;                    1<br \/>\nTotal                             137<\/p>\n<p>Most spoke passionately about their desire to create a more<br \/>\ninclusive union, one that can work for the entire membership. <\/p>\n<p>It was democracy at work, and those in attendance made their<br \/>\nvoices heard.<\/p>\n<p>We congratulate Brother Gary Lasley on his election, and hope<br \/>\nhe will use his new-found position for the general welfare of the<br \/>\nentire membership, with favoritism toward none.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>A curious thing happened at Monday night\u2019s meeting. Though<br \/>\nthe membership had come expecting to elect a new board member,<br \/>\nan unanticipated attempt to rescind an action taken months ago by<br \/>\na majority vote of the general membership took place. <\/p>\n<p>Member Jay Rosen moved that the Executive Board retake jurisdiction<br \/>\nover its years-long battle to move the Referral Service office to a less-<br \/>\nvisible and less-client-friendly location within the union building. Those<br \/>\nwho depend on a healthy and vigorous Referral Service want it left<br \/>\nwhere it has historically been (to the side of the main lobby.)   A motion<br \/>\nwas passed many months ago by majority vote at a general membership<br \/>\nmeeting to mandate the office be left where it is.  <\/p>\n<p>His argument was two-fold:   (1) that the general membership did<br \/>\nnot hold jurisdiction over the issue, thus making the previous<br \/>\nmotion and vote out of order, and (2) that the number of votes<br \/>\nin the affirmative, which he characterized as &#8220;25 members&#8221;<br \/>\nshould not have more power than the duly-elected board.<\/p>\n<p>As proof of his assertion, he had President Espinosa read Article<br \/>\nVI, Section I of the Local 47 By-laws, which reads in part, \u201cThe<br \/>\nExecutive Board shall exercise supervision over all property and<br \/>\naffairs of the Local,\u2026 Actions of the Executive Board may be<br \/>\naltered by a General Meeting, but only by a two-thirds vote.\u201d<\/p>\n<p>The quote makes clear that the board shall exercise SUPERVISION<br \/>\nover the offices, it does not give the Board the right to move them<br \/>\nat will without member input. Further, the last line of the section<br \/>\nmakes clear that the actions of the board may be altered by the<br \/>\nmembership, which is exactly what happened with the earlier<br \/>\nmajority vote of the general meeting.<\/p>\n<p>This would seem to indicate that, contrary to Mr. Rosen\u2019s assertions,<br \/>\nthe membership was in no way \u201cout of order\u201d with the previous<br \/>\nmandate. Oddly enough, neither the counsel nor the parliamentarian<br \/>\nbothered to point that out. This leaves Mr. Rosen with only one<br \/>\nargument, that he didn\u2019t like so few making the decision for the<br \/>\nentire membership.<\/p>\n<p>His motion, as amended, passed.   Despite the fact that the Local&#8217;s<br \/>\nlegal counsel present made no ruling that the previous action by<br \/>\nthe general membership was out of order, this, in effect, tried to<br \/>\nsend the issue back to the Board for a ruling, presumably in line<br \/>\nwith its previous drive to move the office (against the express<br \/>\nand voted will of the larger body) to make way for wholesale<br \/>\nrenovation of the lobby and meeting room.   Evidently, majority<br \/>\nvotes by the general membership, when decided in his ideological<br \/>\nfavor (as in the case of recent elections) suit him fine.   When<br \/>\nthey run counter to it, they are to be replaced by the will of as<br \/>\nfew as seven board members, which is THEIR quorum.  <\/p>\n<p>If the pressing decisions of the day were not automatically given<br \/>\nover to the Board when quorum-starved meetings fail, we wouldn&#8217;t<br \/>\nbe quite so concerned with the quorum&#8217;s size.  At least everyone<br \/>\nwould have an equal need to &#8220;get out the vote.&#8221;   However, since<br \/>\nall such decisions ARE automatically relegated to the Board, and<br \/>\nif that Board is ideologically &#8220;stacked,&#8221; then the size of the<br \/>\nquorum IS important and must be low enough to allow the general<br \/>\nmeetings to happen.   <\/p>\n<p>THE NEXT ATTACK<\/p>\n<p>By raising this issue in this way (casting aspersions on sufficiently-<br \/>\nconcerned members who took the time to attend as &#8220;not working<br \/>\nthat evening,&#8221; it seems clear that Mr. Rosen still has no faith in<br \/>\nour present quorum, and another push to raise it may be in the<br \/>\noffing.          <\/p>\n<p>As we&#8217;ve said before, if the idea of the smallest majority of a<br \/>\nquorum of 50 (50% plus 1, or 26) making decisions for the Local<br \/>\nscares Mr. Rosen so, then he is free to work to get more people<br \/>\nto attend and support his points of view.   If, however, he holds<br \/>\nthe same ideological bent as the Board (and he does,) then a<br \/>\nhigher quorum, by throwing the decision-making power to it in<br \/>\nthe absence of general meetings (remember when we went TWO<br \/>\nYEARS without achieving a quorum of only ONE hundred?) will<br \/>\nachieve the control he would like over the Local without his<br \/>\nhaving to get one soul to a general meeting.  <\/p>\n<p>Let&#8217;s not pay for the same political real estate twice, shall we?   If<br \/>\nyou value the rank-and-file advances we have made over recent<br \/>\nyears, then it&#8217;s time to pay the tab, or you might end up having to<br \/>\npay it all over again at the next crisis. Giving a damn is optional;<br \/>\nacting as if you did is not.  <\/p>\n<p>When deciding to attend, and then voting, ask yourself, \u201cDoes the<br \/>\nresult of this action ultimately increase the rights and freedoms<br \/>\nof the membership or not?\u201d <\/p>\n<p>Knowing that should make the right choice obvious.<\/p>\n<p>THE COMMITTEE<\/p>\n<p>================<\/p>\n<p>II. ARTICLE CONCERNING SONGWRITER ROYALTY RATES<\/p>\n<p>January 28th, 2008<br \/>\nMUSIC PUBLISHERS, SONGWRITERS VS. RIAA, DIGITAL MUSIC<br \/>\nASSOCIATION<\/p>\n<p>Copyright Royalty Board Hearing to Determine Mechanical<br \/>\nRates for Songwriters.<\/p>\n<p>The NMPA, which represent the interests of songwriters and<br \/>\nmusic publishers, are calling it \u201cthe most important rate<br \/>\nhearing in the history of the music industry.\u201d <\/p>\n<p>&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Music Publishers go head to head with the RIAA and the Digital<br \/>\nMusic Association (DiMA) as the Copyright Royalty Board begins<br \/>\nhearings today to determine mechanical rates for songwriters<br \/>\ntoday.<br \/>\n       The National Music Publishers\u2019 Association (NMPA), which<br \/>\nrepresent the interests of songwriters and music publishers,<br \/>\nare calling it \u201cthe most important rate hearing in the history<br \/>\nof the music industry.\u201d<br \/>\n       In addition to setting rates for physical products, rates<br \/>\nwill be set for the first time ever for digital products such<br \/>\nas digital downloads, subscription services and ringtones.<br \/>\nThe NMPA has vowed to \u201cfight vigorously\u201d to protect those<br \/>\ninterests to ensure that musical compositions are compensated<br \/>\nfairly.<br \/>\n\tBoth the RIAA and DiMA have proposed significant<br \/>\nreductions in mechanical royalty rates.<br \/>\n\tThe current mechanical rate for physical phonorecords<br \/>\nis 9.1 cents. The NMPA is proposing an increase to 12.5 cents<br \/>\nper song.  The RIAA, on the other hand, has proposed slashing<br \/>\nthe rate to approximately 6 cents a song.<br \/>\n\tFor permanent digital downloads, NMPA is proposing a rate<br \/>\nof 15 cents per track, with the RIAA countering with 5-5.5 cents<br \/>\nper track and the DiMA less than that.<br \/>\n \tThe real difference comes in the area of interactive streaming<br \/>\nservices, where the NMPA proposed a rate of the greater amount<br \/>\nbetween 12.5% of revenue, 27.5% of content costs, or a micro-<br \/>\npenny calculation based on usage. The RIAA have countered that<br \/>\nsongwriters and music publishers should get the equivalent of<br \/>\n.58% of revenue, while the DiMA is insisting that songwriters and<br \/>\nmusic publishers shouldn\u2019t receive any mechanical royalties.<br \/>\n\tThe initial hearing will last four weeks, with the three permanent<br \/>\nCRB judges hearing arguments Mondays through Thursdays.  At the<br \/>\nconclusion of the initial hearing, there will be more discovery, followed<br \/>\nby a rebuttal hearing in May, and a final decision expected on October 2.<br \/>\n\tThe NMPA, RIAA and DiMA are expected to spend millions<br \/>\nof dollars attempting to sway the court of public opinion in the<br \/>\ndispute. <\/p>\n<p>=====================<\/p>\n<p>III. EVENTS AND CONCERTS<\/p>\n<p>FEBRUARY 13th<\/p>\n<p>On February 13th, 12 noon, at Catalina\u2019s in Hollywood<br \/>\nASMAC will honor Dynamic Music Partners: Kristopher<br \/>\nCarter, Michael McCuistion and Lolita Ritmanis.<\/p>\n<p>KRISTOPHER CARTER began his career as one of the youngest<br \/>\ncomposers to work for Warner Bros. He Received an Emmy<br \/>\nAward for \u201cBatman Beyond, as well as five other Emmy<br \/>\nNominations.<\/p>\n<p>MiICHAEL MCCUISTION is an Emmy Award-winning composer<br \/>\nwho has been working in film and television for over 15 years.<br \/>\nHe has been nominated for eight Emmy Awards and two Annie<br \/>\nAwards. <\/p>\n<p>LOLITA RITMANIS is an eight time Emmy Award nominated<br \/>\ncomposer, having won this award in 2002 for her work on<br \/>\nthe animated series \u201cBatman Beyond.<\/p>\n<p>Together they have worked on series such as: Legion of Super<br \/>\nHeroes, Teen Titans, Justice League, Batman Beyond, the New<br \/>\nBatman\/Superman Adventures and The Zeta Project.<\/p>\n<p>Wednesday, February 13th<br \/>\n11:30am Cocktails; 12 noon Buffet Lunch, 12:45 Tribute<br \/>\n&#038; Guest Speakers  <\/p>\n<p>Catalina Bar &#038; Grill (1 BLOCK E OF HIGHLAND \u2013corner<br \/>\nof McCadden 6725 West Sunset Blvd.  Hollywood, CA 90028<\/p>\n<p>Cost:  ASMAC Members &#038; Students $30 \u2022 Guests and all<br \/>\nwalk-ins $35<br \/>\nParking:  Valet $3.00  \u2022   Enter on McCadden \u2013 behind Catalina\u2019s<\/p>\n<p>RSVP by Tues., February 12th  to 818-994-4661 or<br \/>\n asmac@theproperimageevents.com   <\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>FEBRUARY 23rd<br \/>\nLos Angeles Pierce College Department of Music Presents the<\/p>\n<p>SAN FERNANDO VALLEY SYMPHONY ORCHESTRA<br \/>\nJames Domine, Music Director<\/p>\n<p>SATURDAY EVENING Feb. 23, 2008 at 8 pm<br \/>\nPierce College Performing Arts Theater<\/p>\n<p>Ludwig van Beethoven<br \/>\nSymphony #9 in D minor (Choral)<br \/>\nPierce College Philharmonic Choir<br \/>\nTerry Danne, director<\/p>\n<p>James Domine<br \/>\nBass Clarinet Concerto<br \/>\nSteven Piazza, bass clarinetist<\/p>\n<p>General Admission: $25<br \/>\nStudents &#038; Seniors: $20<br \/>\nChildren under 12: $15<br \/>\n  For ticket information and group rates call<br \/>\n(818) 347-4807<br \/>\nvisit our web site: www.sfvsymphony.com<\/p>\n<p>=====================<\/p>\n<p>IV. TRIVIA<\/p>\n<p>With all the &#8216;Sturm und Drang&#8217; in our Local lately, we thought<br \/>\nwe\u2019d like to introduce a new section of our mailings for trivia,<br \/>\n1 item of obscure musical trivia per mailing. If you have your<br \/>\nown, and you can give us a source, please send it to us.<\/p>\n<p>LONG PLAYING RECORD<\/p>\n<p>Pink Floyd\u2019s \u201cThe Dark Side of the Moon\u201d stayed on the Billboard<br \/>\ntop 200 album charts for 591 consecutive weeks \u2013 11.4 years.<br \/>\nThe LP has moved in and out of the Top 200 for an incredible<br \/>\n741 weeks (14 years) and has spent 26 years on various other<br \/>\nBillboard Charts.<\/p>\n<p>*When the album hit number one for just one week in 1973,<br \/>\nDavid Gilmour won his bet with manager Steve O\u2019Rourke that<br \/>\nthe album wouldn\u2019t crack the US Top Ten.<\/p>\n<p>** At Pink Floyd\u2019s outdoor concert at London\u2019s Crystal Palace<br \/>\nBowl in 1970, they played so loudly that most of the fish in the<br \/>\nLake in front of the natural amphitheater\u2019s stage were killed.<\/p>\n<p>=====================<\/p>\n<p>V. MEMBER COMMENTS<\/p>\n<p>The comments below represent the uncensored views of the<br \/>\nreaders and not necessarily those of the COMMITTEE.  In the<br \/>\nfaith that freedom of expression allows for the birth and<br \/>\nascendancey of the most beneficial ideas, all sentiments<br \/>\nexpressed are welcome, subject to the bounds of good taste<br \/>\nand decorum.   If you disagree with an opinion expressed by<br \/>\nany contributor, we encourage you to rebut it here,<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>TERM LIMITS!!!!!!!<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Good response to the &#8220;political action&#8221; attack!  They&#8217;re feeling<br \/>\nthe heat.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>In response to the response to my opinion on the Desert<br \/>\nSymphony negotiations:<\/p>\n<p>    Hal Espinosa is upset because he got caught with his pants<br \/>\ndown. That&#8217;s lamentable, lamentable, lamentable. 17 people<br \/>\nfrom the orchestra voted to strike. It was not unanimous. But<br \/>\nI wonder who gets to pick the orchestra committee next time?<br \/>\nHey, lemme see that contract!  And if the Espinosa administration<br \/>\ncan accuse the Comm Resp 47 of being in bed with NRTW, then I<br \/>\ncan compare the Espinosa administration of being in bed with<br \/>\n\u2022\u2022\u2022\u2022\u2022 \u2022\u2022\u2022\u2022\u2022\u2022\u2022\u2022\u2022\u2022 and \u2022\u2022\u2022\u2022\u2022\u2022 himself.  Maybe they would rather I<br \/>\ntell a great story of an errant hippopotamus and his sordid<br \/>\nrelationship with a giraffe. Then we can all be friends. By the<br \/>\nway, what&#8217;s up with American Idol?<br \/>\n     I do not support the election of our current Secratary. Good<br \/>\nperson, wrong camp.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>&#8220;I&#8217;m talking and I can&#8217;t stop&#8221;<\/p>\n<p>Oh, I forgot. The &#8220;winning strategy&#8221; would have been to deal with<br \/>\na full deck. The way I understand it, the Desert Symphony was<br \/>\nready to give the union what it wanted. Then Mr. Espinosa sat on<br \/>\nthe contract for 4 months and waited till the last minute to<br \/>\nthreaten a strike. This way, he looks like he is doing something<br \/>\nfor the orchestra (getting votes) and gets to bully an old couple<br \/>\nthat run the orchestra for the fun of it. Don&#8217;t tell me they&#8217;re just<br \/>\n&#8220;smart business people&#8221;. Ben doesn&#8217;t conduct for the money.<br \/>\nTrust me, they don&#8217;t need the money. This is the kind of<br \/>\nnegotiating that alienated the McCallum theatre (note: McCallum<br \/>\ntheatre  knows Local 47 will stab them in the back if they do<br \/>\nbusiness with them. But they are not &#8220;union busting&#8221;, because<br \/>\nthey allow artists to bring union players in. And you\u2019re right, I am<br \/>\nbutting my nose into other peoples union business. So what?<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Sounds like Espinosa is a George Bush clone!!!!!!!!!!!!!!!!!!!!!!  <\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>I noticed that Hal wanted to &#8220;set the record straight&#8221; on the Desert<br \/>\nSymphony but not the &#8220;allegation&#8221; that Pete Anthony went to<br \/>\nLondon to   conduct on a non-union film. What&#8217;s up with that?<br \/>\nDoes he condone this? Hal if you are reading, please feel free to<br \/>\n respond. By the way   I am in no way connected to the<br \/>\n&#8220;Committee&#8221;.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>go get em &#8211; what right is right &#8211; god I love it &#8211; Pete ratted out<br \/>\non a London gig but &#8211; maybe his name should have stayed<br \/>\nout&#8230;..???? should have read &#8211; a top orchestrator&#8230;&#8230;<\/p>\n<p>anyway &#8211; it&#8217;s already out there &#8211; how can we affect change right<br \/>\nnow &#8211; FOLIO and LEE ??<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>YOU ARE CORRECT &#8211; that is the right slant &#8211; the rank and file<br \/>\nthat are afraid to talk openly for fear of you know what<\/p>\n<p>now lets start affecting change<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Kinda reminds me of how the Bush administration will make a<br \/>\ncomplete mess of &#8211; you name it &#8211; the economy, hurricane<br \/>\nKatrina, veterans hospitals, the illegal profiteering from the<br \/>\nwar in Iraq &#8211; and then after making that mess they will come<br \/>\non television and make a statement like, &#8220;somebody ought to<br \/>\nclean this up&#8221;; or &#8220;we&#8217;ll get to the bottom of this and catch<br \/>\nthose responsible&#8221;.  I know what my Christmas present to<br \/>\nHal is going to be: a mirror.  Oh dang, he&#8217;s probably got too<br \/>\nmany of them already!<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>What started out as being informative has turned into vindictive<br \/>\nnonsense written by people who don&#8217;t even have the courage to<br \/>\nidentify themselves{I am sure the people who do the hiring<br \/>\nknow who you are anyway so I don&#8217;t buy that defense} take me<br \/>\noff your list!!!!!!!!<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>The question in the union paper went something like this: &#8220;If the<br \/>\nCommittee is for a more responsible Local, then whose side is it<br \/>\non, Local 47&#8217;s or the National Right To Work Committee (NRTWC)?&#8221;<\/p>\n<p>One answer to this question is that the two are not mutually<br \/>\nexclusive.  It is not an either\/or situation.  The union claims<br \/>\nto want the best for workers.  So does the NRTWC.<\/p>\n<p>California and approximately 27 other states are not, contrary<br \/>\nto what some believe, &#8220;Right to Work&#8221; states.  &#8220;Right to Work&#8221; in<br \/>\nthis context has a specific legal meaning.  Do your own Google<br \/>\nsearch.<\/p>\n<p>Unions can function, and function responsibly, without compulsory<br \/>\nunion membership.  Right to Work laws provide that a worker can<br \/>\nfreely choose to be a member of a union or not.<\/p>\n<p>A &#8220;closed shop&#8221; or &#8220;union security clause&#8221; seeks to force a worker<br \/>\nto join a union and pay dues or lose his\/her employment.  The<br \/>\nfederal judiciary, in a number of rulings one of which was Beck<br \/>\nv. CWA, has basically declared the &#8220;union security clause&#8221; to be<br \/>\nunenforceable under the National Labor Relations Act.  In other<br \/>\nwords it is becoming increasingly difficult for unions to enforce<br \/>\n&#8220;closed shop&#8221; or &#8220;security clauses.&#8221; <\/p>\n<p>On the other hand in California an employee who is a non-<br \/>\nmember is still obligated to pay dues related to the costs<br \/>\nassociated with collective bargaining, contract administration<br \/>\nand grievance procedures if he or she works under a CBA.  But<br \/>\na non-member is not subject to union disciplinary procedures.<br \/>\nSo the union can&#8217;t dictate to the non-member what he or she<br \/>\nmay do.  The NRTWC is dedicated to the idea that no one should<br \/>\nbe forced to join a union to get or keep a job.  I agree with that<br \/>\nidea but I do not claim to speak for The Committee; I speak only<br \/>\nfor myself.  I do not want to be threatened by my union, nor do<br \/>\nI want to surreptitiously and hypocritically work &#8220;dark&#8221; when I<br \/>\ncan honestly and openly just accept work I want to do.  But that<br \/>\nis just me.<\/p>\n<p>Rick Blanc (please attach name)<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Please.<br \/>\nNo more political information.<br \/>\nI will not choose to vote for anyone if this persists.<\/p>\n<p>===================<\/p>\n<p>Until Next Time,<\/p>\n<p>THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This mailing details the Jan, 07 Local 47 membership. We also discuss the Copyright Royalty Board Hearing to Determine Mechanical Rates for Songwriters; concerts; trivia and comments from readers.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-9","post","type-post","status-publish","format-standard","hentry","category-committee-newsletters"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/9","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/9\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}