{"id":814,"date":"2018-06-01T15:10:30","date_gmt":"2018-06-01T22:10:30","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=814"},"modified":"2018-06-01T15:10:30","modified_gmt":"2018-06-01T22:10:30","slug":"nary-a-blip-events","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=814","title":{"rendered":"NARY A BLIP \/ EVENTS"},"content":{"rendered":"<p>6\/1\/18<\/p>\n<p>I. NARY A BLIP<br \/>\nII. EVENTS\u2028\u2028\u2028&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p>Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer\u2028\u2028&#8217;<\/p>\n<p>&#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician<\/p>\n<p>&#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician<\/p>\n<p>&#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention &#8211; National touring musician<\/p>\n<p>=========================<\/p>\n<p>I. NARY A BLIP<br \/>\nLA IS NARY A BLIP ON THE RECORDING SCENE ANYMORE<\/p>\n<p>The text below came from a popular online blog for composers and orchestrators.<br \/>\nQUESTION: SESSION ORCHESTRAS<br \/>\nHello my wonderful composer family! I was wondering if anyone<br \/>\ncould give me referrals for a really awesome session orchestra?<br \/>\nThe music is difficult, and I need players who are seasoned at<br \/>\nsession work and can sightread well.<\/p>\n<p>I recently recorded players here in Seattle from a local symphony &#8211;<br \/>\nall great performers, but not experienced studio players&#8230;.and<br \/>\nthere is unfortunately a good chance I&#8217;m not going to be able to<br \/>\nuse the sessions that we did. \ud83d\ude41 The likelihood of re-recording<br \/>\nseems eminent and this time around I need to get it right.<\/p>\n<p>I&#8217;ve heard there is a great session orch in Nashville, and<br \/>\nobviously many in LA&#8230;.just looking for links, referrals,<br \/>\nreviews&#8230;.I need a GOOD one. Thanks in advance.<\/p>\n<p>ANSWERS<br \/>\n-If I am thinking correctly, I believe in East Coast Scoring ?<\/p>\n<p>-Nashville for the win (unless its a Union LA gig).<br \/>\nElse London UK but exchange rate is a tough pill.<\/p>\n<p>-My rep at Yamaha recommended one in Nashville as<br \/>\nwell &#8211; do you happen to know which one, and a link? \ud83d\ude42<\/p>\n<p>-Contact Alan Umstead. Our guys here are as good as it gets.<br \/>\nJust did a session at Ocean Way the other day and I can\u2019t<br \/>\nrave enough. They sight read like nobody\u2019s business, too.<\/p>\n<p>-I just recorded my piano tracks at Yamaha in Nashville (I&#8217;m a<br \/>\nYamaha artist), and Ocean Way was highly recommended.<br \/>\nI&#8217;ll check it out &#8211; thank you!!<\/p>\n<p>-I\u2019ve seen great stuff out of ocean way<\/p>\n<p>-Budapest is great<\/p>\n<p>-seconded. The strings there are pretty great for the budget<br \/>\nthey play their butts off and have fun doing their gig.<\/p>\n<p>-Here&#8217;s another option for you. CMG, she&#8217;d be happy<br \/>\nto put together a quote for you. http:\/\/www.cmgmusicrecording.com\/<\/p>\n<p>-Are you familiar with the folks at Bastyr? (Seattle)<br \/>\nMight be worth reaching out, even if you wind up<br \/>\ngoing elsewhere. http:\/\/www.seattlemusic.com\/<\/p>\n<p>-yes I actually recorded choir at Bastyr on my last<br \/>\nalbum&#8230; and yes familiar with Andrew &#8211; I hadn&#8217;t<br \/>\nthought of this. I will check it out.<\/p>\n<p>-Seattle Music is the best option in the pacific<br \/>\nnorthwest. I&#8217;ve had dozens of session there<br \/>\nat Bastyr. Talk to David Sabee if you do.<\/p>\n<p>-Hollywood Scoring (non-union) has really flexible<br \/>\noptions that would suite your needs.<\/p>\n<p>-&#8220;Well seasoned&#8221; and &#8220;sightread well&#8221; are both<br \/>\nterms to describe Nashville. I&#8217;d highly recommend<br \/>\nthat you give us a try. But either way, best of luck<br \/>\nin what sounds like a tough spot. Hang in there,<br \/>\nyou&#8217;ll get it done!<\/p>\n<p>-Thanks for that David&#8230;.a little encouragement<br \/>\nafter a stressful few days of finding my previous<br \/>\nsession was not good is very appreciated.. \ud83d\ude42<br \/>\nI just recorded at Yamaha in Nashville and my<br \/>\nengineer there Ryan Nelson recommended a<br \/>\nscoring orch in Nashville&#8230;.do you have a link?<\/p>\n<p>-We would love to learn more about your project<br \/>\nand see if there&#8217;s a good fit with what we can<br \/>\noffer at HUGE Studios in Salt Lake City. We<br \/>\nhave the lowest cost, high quality, live orchestral<br \/>\nrecording solution in the entire United States.<\/p>\n<p>-Hi, thanks for all this wonderful information. I&#8217;ve<br \/>\nactually recorded some very small sectionals in<br \/>\nSLC with Nate Drew for a couple of film scores<br \/>\nand album projects that I&#8217;ve done. I haven&#8217;t heard<br \/>\nof your group though &#8211; do you by chance have a link,<br \/>\nand also where I can listen to some of the work<br \/>\nyou&#8217;ve done? Thanks so much.<\/p>\n<p>-his is actually where I recorded your music before it<br \/>\nbecame Huge Sound. Great stage, and Michael is<br \/>\nstill engineering there I believe.<\/p>\n<p>-yes they did! A lot depends on how well prepared<br \/>\nthe sheetmusic and associated click tracks are etc.,<br \/>\nand really difficult stuff requires more than a single<br \/>\nrun through with almost any orchestra&#8230; how many<br \/>\nplayers are you thinking? How difficult? And are you<br \/>\ngoing to a click track? I\u2019m just curious. But yes,<br \/>\nthey\u2019re excellent.<\/p>\n<p>-Nashville! The guy to contact is Chris McDonald. THE BEST.<\/p>\n<p>-I have recorded several times in Nashville as I believe<br \/>\nhave Trevor Morris and Andrew Gross. The core players<br \/>\nare excellent, but the &#8220;bench&#8221; is not as deep as LA,<br \/>\nso booking early helps.<\/p>\n<p>-Reach out to Vince Emmett &#8211; he can help guide you<br \/>\nabout Nashville (he&#8217;s a composer client of mine,<br \/>\nbased in the area &#8211; mention you were referred by me).<\/p>\n<p>-Karen Garrity of CMG Music Recording in Hollywood, CA<\/p>\n<p>-You will not find a better combination of musicianship,<br \/>\nsight-reading, and easy-going people than in Nashville.<br \/>\nAnd they work amazingly fast and efficiently.<\/p>\n<p>==============================<\/p>\n<p>&nbsp;<\/p>\n<p>II. EVENTS<\/p>\n<p>DEAN AND RICHARD \u2028are now at Culver City Elks<\/p>\n<p>the first \u2028Friday of \u2028every month.<\/p>\n<p>7:30pm-10:30pm<\/p>\n<p>11160 Washington Pl.<\/p>\n<p>Culver City, 90232<\/p>\n<p>310-839-8891<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>6\/3\/18<\/p>\n<p>CalStateLA Symphony Orchestra\/Olympia Youth Orchestra<\/p>\n<p>You are cordially invited to the Admission FREE concert,<br \/>\n\u201cSummer Romance\u201d, given by the CalStateLA Symphony<br \/>\nOrchestra\/Olympia Youth Orchestra on June 3, 2018 at<br \/>\n3PM at the<br \/>\nSan Gabriel Mission Playhouse,<br \/>\n320 S Mission Drive, San Gabriel, CA 91776.<\/p>\n<p>The concert will feature guest soloist, Professor Meng-Chieh<br \/>\nLiu of the world renowned New England Conservatory as<br \/>\nwell as the Curtis Institute performing the 2nd Piano<br \/>\nConcerto by Brahms. This is a concert not to be missed.<\/p>\n<p>The orchestra is made up of talented young musicians ages<br \/>\n12 through college age. They gain admission to the orchestra<br \/>\nthrough our annual competitive audition which is coming up in<br \/>\nthe summer. If there are any young and talented music<br \/>\nstudents playing an orchestral instrument, please feel<br \/>\nfree to refer them to apply. The application can be submitted<br \/>\non line from the website http:\/\/www.olympiaphil.org\/wp\/<br \/>\nunder the section \u201cyouth orchestra\u201d.<\/p>\n<p>Please come support these young musicians and enjoy an<br \/>\nafternoon of great music. If you need to have some complimentary<br \/>\ntickets sent to you, please reply with your mailing address and<br \/>\nthey will be on their way ASAP.<\/p>\n<p>Looking forward to seeing you there.<\/p>\n<p>Sincerely,<br \/>\nFung Ho<br \/>\nMusic Director &amp; Conductor,<br \/>\nCalStateLA Symphony Orchestra\/Olympia Youth Orchestra<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>6\/6\/18<\/p>\n<p>SONG OF THE ANGELS FLUTE ORCHESTRA<\/p>\n<p>Song of the Angels will present its annual Jazz<br \/>\nFlute concert on Saturday, June 16, 4 PM in La<br \/>\nCrescenta, featuring world-renowned jazz flute<br \/>\nartists, Ali Ryerson, Fred Selden, David Shostac,<br \/>\nguitarist\/composer Massimo Sammi and flautist\/<br \/>\ncomposer Chicako Iverson<\/p>\n<p>Selections will include pieces by Miles Davis,<br \/>\nJim Repacking, and Dave Brubeck.<\/p>\n<p>Audience flutists, please bring your flutes and join us our<br \/>\nlast number, Basin Street Blues! See you there!<\/p>\n<p>Tickets are on sale now at www.soafluteorchestra.com\/tickets.<br \/>\nTickets: $20 general \/ $15 seniors \/ $5 Children<\/p>\n<p>La Crescenta Presbyterian Church<br \/>\n2902 Montrose Avenue, La Crescenta, CA 912214<\/p>\n<p>Also on the program:<\/p>\n<p>The Pacific Northwest Film Scoring Program at the Seattle Film Institute<br \/>\nis now accepting applications for the one-year<br \/>\nMaster of Music in Film Composition<br \/>\nOne of the Top 4 Film Music Programs in the World!<br \/>\nRecently rated as the #4 school in the world for film<br \/>\nscoring education by\u00a0Music School Central.<br \/>\n&#8220;in just one year, the school places students into a<br \/>\npressure cooker of intense learning resulting in a<br \/>\nprofessional demo reel that can be used to obtain<br \/>\nfuture paid commercial opportunities.&#8221;<\/p>\n<p>Learn from Industry Professionals<br \/>\nAll PNWFS faculty are active professional film and<br \/>\ngame composers, orchestrators, copyists, and<br \/>\nengineers, including the program&#8217;s creator and<br \/>\nlead instructor Dr.\u00a0Hummie Mann. \u00a0Hummie is the<br \/>\ntwo-time Emmy Award winning film composer of<br \/>\n&#8220;Robin Hood: Men in Tights&#8221; and featured in<br \/>\nVariety Magazine&#8217;s article\u00a0&#8220;Leaders in Learning&#8221;.<br \/>\nOur Program Features:\u2028\u2022 9 live recording sessions with professional<br \/>\nmusicians at Studio X, Seattle&#8217;s premiere, world-class studio.\u2028\u2028\u2022 Opportunities to work with student directors<br \/>\nto score actual films from film programs all<br \/>\nover the world.\u2028\u2022 Training in all major software programs used<br \/>\nin the industry.\u2028\u2022 A state-of-the-art workstation assigned to<br \/>\neach student fully installed with the latest versions<br \/>\nof all software, sample libraries and plug-ins needed to complete the program.<\/p>\n<p>Accelerated and Affordable<br \/>\nWe are a one-year Master of Music in Film<br \/>\nComposition program which not only gives our<br \/>\ngraduates the opportunity to enter the industry<br \/>\nand start their careers a year sooner than other<br \/>\nprograms but saves them an entire year of living<br \/>\nexpenses. In addition to our accelerated format<br \/>\nwe also offer the most affordable tuition out of<br \/>\ncompeting programs. Our students have access<br \/>\nto FAFSA financial assistance, loans, and<br \/>\nscholarships as well.<\/p>\n<p>History of Success<br \/>\nWe are very proud to have a high success rate<br \/>\nfor our graduates who have gone on to work on<br \/>\ntelevision shows such as Castle, Empire, and Once<br \/>\nUpon a Time; video games such as World of Warcraft,<br \/>\nSpate, and Destiny; and films such as The Revenant,<br \/>\nTrolls, The Dark Tower, and Guardians of the Galaxy<br \/>\nVol. 2.\u00a0Apply now\u00a0and you could be joining their ranks!<br \/>\nApplications are being accepted for the Fall 2018<br \/>\nschool year.<br \/>\nWe offer rolling admissions &#8211; no deadline to apply.<\/p>\n<p>(800) 882-4734 | www.pnwfilmmusic.com<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>&nbsp;<\/p>\n<p>UNTIL NEXT TIME,\u2028\u2028THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"<p>6\/1\/18 I. NARY A BLIP II. EVENTS\u2028\u2028\u2028&#8230; &nbsp; Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer\u2028\u2028&#8217; &#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician &#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician &#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention &#8211; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-814","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/814","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=814"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/814\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=814"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=814"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=814"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}