{"id":608,"date":"2018-03-23T21:15:19","date_gmt":"2018-03-24T04:15:19","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=608"},"modified":"2018-03-23T21:15:19","modified_gmt":"2018-03-24T04:15:19","slug":"abuse-story-in-media-board-mole-right-thing-comments-events","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=608","title":{"rendered":"ABUSE STORY IN MEDIA \/ BOARD MOLE? \/ RIGHT THING \/ COMMENTS \/ EVENTS"},"content":{"rendered":"<p>3\/23\/18<br \/>\nI. MUSICIAN ABUSE STORY NOW IN THE MEDIA<br \/>\nII. A MOLE ON THE BOARD?<br \/>\nIII. LOCAL DOES THE RIGHT THING (NO, REALLY)<\/p>\n<p>IV. COMMENTS<\/p>\n<p>V. EVENTS<\/p>\n<p>&#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer\u2028\u2028&#8217;<\/p>\n<p>&#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician<\/p>\n<p>&#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician<\/p>\n<p>&#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention &#8211; National touring musician<\/p>\n<p>=========================<\/p>\n<p>&nbsp;<\/p>\n<p>I. BULLIED MUSICIAN GOES PUBLIC &#8211; from SLIPPED DISC website<\/p>\n<p>Here is the full story in the media of the musician&#8217;s story &#8211; you<br \/>\ncan also watch the video of her being harassed by Grayson.<\/p>\n<p>Luanne Homzy, a gifted musician who was concertmaster at Colburn as a<br \/>\nstudent, says she has been bullied by\u00a0AFM Local 47 in a case of mistaken<br \/>\nidentity. The fight has cost Luanne $15,000.<br \/>\nHere\u2019s her post:<br \/>\nIn August of 2016, I found out through back channels that I was<br \/>\nbeing accused by AFM Local 47 for taking part in a non union<br \/>\nrecording session at which I was not present, yet one month later,<br \/>\nI was formally charged by the AFM. Erick Cruz (whose back<br \/>\nyou will see in this video \u2013 not able to look at me) made the<br \/>\nfraudulent claim that it was me in the photos he took of a<br \/>\nmusician walking on a street with a violin case.<\/p>\n<p>During the time between the leaking of the list of accused<br \/>\nmusicians and officially charging me, Mr. Cruz was given<br \/>\ninformation that I was in a different county at the time,<br \/>\nyet he and his \u201ccolleagues\u201d still went ahead with charging<br \/>\nme. As soon as I received the official charge in September<br \/>\n2016, my attorney, who I had made aware of the situation<br \/>\nwhen the information had been leaked to me in August<br \/>\n2016, replied with my phone location records and signed<br \/>\nreceipts from the day and time of the alleged session.<br \/>\nHowever, as you will see in this video from late October<br \/>\n2016, Gordon Grayson (who was recently fired from the<br \/>\nLocal) still hadn\u2019t removed my charge, more than 2 months<br \/>\nafter I had found out I was being falsely accused.<\/p>\n<p>I have since spent over $15,000 defending myself against<br \/>\nthe slanderous claims made about me and distributed with<br \/>\nintent by the Local, not to mention the harassment,<br \/>\nintimidation, false promises, and threats that would<br \/>\nfollow. I was presented with an unlawful NDA by the<br \/>\nlocal in exchange for a public apology and reimbursement<br \/>\nof approximately 40% of my legal fees (which at the<br \/>\ntime totalled to about 10K), yet if I were to breach the<br \/>\nagreement, I would owe the Local $10,000, and another<br \/>\n$20,000 if I breached it a second time. I refused to sign<br \/>\nsuch an agreement, so, tonight, I break my silence and<br \/>\nI ask for your solidarity as I take a stand for what is<br \/>\nright.<\/p>\n<p>Keeping silent will only allow them to keep getting away<br \/>\nwith their behavior and abuse of power, and I do not wish<br \/>\nupon anyone the mental, financial, and emotional misery<br \/>\nthey have intentionally inflicted upon me. The Union<br \/>\ncannot continue to abuse its members when they should<br \/>\nbe looking out for them. Shame on you Local 47.<\/p>\n<p>I am not alone, and there are numerous accounts of this kind<br \/>\nof union thuggery. I\u2019m collecting stories like mine for an<br \/>\nupcoming news feature, so please feel free to reach out to<br \/>\nme if you are (or someone you know is) interested in sharing<br \/>\ntheir story \u2014 my wish is that this will bring awareness and<br \/>\nultimately put a stop to this kind of harassment.<br \/>\n(This is footage from my car\u2019s dash cam, from October 2016<br \/>\nwhen I was accosted by union officials in the parking lot of<br \/>\nLocal 47, after going in for help with filling out music prep<br \/>\nforms.)<\/p>\n<p>[EC: Watch the video: You could fill a dumptruck with the<br \/>\nBS spewed by Grayson]<\/p>\n<p>=========================<\/p>\n<p>II. THE LOCAL BOARD HAS A MOLE?<\/p>\n<p>Related comment from an anonymous source.<br \/>\nExecutive board to issue a public statement<br \/>\nregarding the victim of &#8220;misidentification.<br \/>\nPlan is to discredit claims&#8230;.admin in<br \/>\nshambles. Female board member PG breaking<br \/>\nexecutive session confidentiality to<br \/>\ncolleagues and contractors attempting<br \/>\nto slam accuser.<\/p>\n<p>Board used as puppet.<\/p>\n<p>Watch what the local will do&#8230;.<br \/>\nyou heard it here first.<\/p>\n<p>=========================<\/p>\n<p>III. LOCAL DOES THE RIGHT THING<\/p>\n<p>Message from Charles Fernandez:<br \/>\nAfter letters to the officers and much research<br \/>\nand evidence to back up my claim of double<br \/>\ncharging, the Local chose to send me refund<br \/>\ncheck for my 2018 dues.<\/p>\n<p>While this situation should never have happened,<br \/>\nI am grateful that someone at the Local saw that<br \/>\nthey needed to do the right thing.<\/p>\n<p>Would they have done the right thing if I had not<br \/>\nfound another musician in virtually the same<br \/>\nsituation that they refunded? Talk amongst<br \/>\nyourselves.<\/p>\n<p>You know what they say, &#8220;Even an broken clock&#8230;&#8221;<\/p>\n<p>This should serve as an example to members:<br \/>\nIf you choose Fi-Core status and have recently<br \/>\npaid your annual dues, you must be re-imbursed<br \/>\nby either refund of dues OR transfer of membership<br \/>\ndues to the fi-core fee.<\/p>\n<p>Charles Fernandez<\/p>\n<p>=================================<\/p>\n<p>IV. COMMENTS<\/p>\n<p>At that Village session, union cronies<br \/>\ntried to sneak in 3 times posing as<br \/>\nworkers, and have shown up at this<br \/>\ncomposers sessions several times.<\/p>\n<p>[EC: Their conduct toward the composer<br \/>\nis illegal.<\/p>\n<p>1) If he IS a union member, the union<br \/>\ncannot say squat about what they do.<br \/>\nThere is no COMPOSERS wing of the union.<br \/>\nIt&#8217;s truly none of their business what a<br \/>\ncomposer does.<\/p>\n<p>Composing is not covered in any union<br \/>\nscale.<\/p>\n<p>2) If he is NOT a union member, they<br \/>\nhave even less to say about the situation.<br \/>\nIt&#8217;s truly none of their business.<\/p>\n<p>Either way, the Local is looking to<br \/>\nget themselves served with a class action<br \/>\nlawsuit from composers and conductors if<br \/>\nthey don&#8217;t stop breaking the law and<br \/>\nback off.<\/p>\n<p>Conductor? None of your business.<br \/>\nComposer? None of your business<br \/>\nRemember that Mr. Acosta.]<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Hopefully, John and Eric will be fired over this.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>We need to get rid of special payments,<br \/>\nthey only benefit a few people.<br \/>\nThe VP can&#8217;t tell members to play<br \/>\nnon-union gigs and then bust them<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>From &#8220;TAKE BACK OUR LOCAL&#8221;<\/p>\n<p>Feel free to TEXT MESSAGE your &#8220;President&#8221;<br \/>\nJohn Acosta and let him know what YOU THINK<br \/>\nabout the job he is doing: 323-337-7631<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>I understand that unions need to represent<br \/>\nunion work but&#8230; they are hiring<br \/>\nrepresentatives that are second rate<br \/>\nwhich the 47 bored approves.<\/p>\n<p>Cause those bored people think they<br \/>\nhave a handle on it while pinching<br \/>\npennies at incompetent personnel<br \/>\nhoping the problem will be clinched<br \/>\nin the end.<\/p>\n<p>This is going to cost 47 some money.<br \/>\nWe all know how musicians are viciously<br \/>\ntaken out in La La Land behind close<br \/>\ndoors without hearing the other side.<\/p>\n<p>I found it interesting that they<br \/>\nsought her out in the parking<br \/>\nlot rather then in the building.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>You seem to be expecting ethical conduct<br \/>\nfrom people who have been proven unethical.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>At least keeping both payments for the whole<br \/>\nyear should not be a policy&#8230;perhaps some kind<br \/>\nof pro-rate? \u00a0Do you think that they do this to<br \/>\nincentivize people from going if-core during any<br \/>\ngiven year&#8230;having to pay more to a union that<br \/>\ndoes everything it can to keep union work<br \/>\nconfined to a few?<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Interesting question&#8230;.just what part of the<br \/>\nbylaws applies to the fi-core &#8220;members&#8221;?<\/p>\n<p>EC: No part of the bylaws mention or apply to<br \/>\nfinancial core musicians}<\/p>\n<p>================================<\/p>\n<p>V. EVENTS<\/p>\n<p>DEAN AND RICHARD \u2028are now at Culver City Elks<\/p>\n<p>the first \u2028Friday of \u2028every month.<\/p>\n<p>7:30pm-10:30pm,<\/p>\n<p>11160 Washington Pl.<\/p>\n<p>Culver City, 90232<\/p>\n<p>310-839-8891<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>HELIX COLLECTIVE COMPOSING OPPORTUNITY &#8211;<\/p>\n<p>DEADLINE, MARCH 25TH!<\/p>\n<p>Apply to have your original score performed live-to-<br \/>\npicture by Helix Collective at the 2018 Los Angeles<br \/>\nLive Score Film Festival!\u00a0Apply with a link to your<br \/>\nvideo reel and a PDF score.<br \/>\nApplication deadline: March 25, 2018<br \/>\nAPPLY HERE<br \/>\nMore info: www.lalsff.org<br \/>\nLASFF Trailer Video<\/p>\n<p>The Los Angeles Live Score Film Festival features<br \/>\nshort films with original scores performed live-to-<br \/>\npicture. The 2018 festival on Saturday, July 21st<br \/>\nat the Barnsdall Gallery Theatre is presented by<br \/>\nHelix Collective\u00a0in collaboration with the<br \/>\nAcademy of Scoring Arts. Films for the 2018 festival<br \/>\nare curated by the faculty at the New York Film<br \/>\nAcademy, Columbia College, Hollywood, and<br \/>\nthe L.A. Film School.<\/p>\n<p>Selected film composers are paired with a winning<br \/>\nfilmmaker to create an original score for the festival.<br \/>\nThe film is screened with the score performed live<br \/>\nby the renowned performance and recording ensemble,<br \/>\nHelix Collective. The screening includes an interview<br \/>\nwith the filmmakers and composers. Awards for Best<br \/>\nPicture and Best Musical Score are presented at the<br \/>\nclose of the festival.<\/p>\n<p>Now in it\u2019s fifth season, LALSFF\u2019s goal is to highlight<br \/>\nthe role of collaboration between composers and<br \/>\nfilmmakers. Acting like a talent agent, the festival<br \/>\nbrings experts in the two disciplines together. At the<br \/>\nscreenings, filmmakers and composers hear and<br \/>\nsee the work of new colleagues, meet new collaborators,<br \/>\nand establish working relationships with each other.<\/p>\n<p>Helix Collective www.helixcollective.net<\/p>\n<hr \/>\n<p>3\/25\/18<br \/>\nLA WINDS CONCERT THIS SUNDAY, MARCH 25TH<br \/>\nStars of the LA Winds!<\/p>\n<p>Come out and hear a concert featuring members of the<br \/>\nLA Winds as composers, arrangers and soloists!<br \/>\nGreg Anderson &#8211; Trumpet<br \/>\nCharles Fernandez &#8211; Arranger<br \/>\nMark Marcus, Saxophone<br \/>\nDebbie MacMurray &#8211; Piccolo<br \/>\nCaryn Rasmussin &#8211; Saxophone<br \/>\nAndrea Vancura &#8211; Composer<br \/>\nGabriel Velasco &#8211; Trumpet\/Flugel<\/p>\n<p>Join us afterwards for our Wine Tasting Reception! This<br \/>\nconcert takes place at the Performing Arts Center of Agoura<br \/>\nHigh School with a No host post-concert reception at the<br \/>\nBoar Dough Tasting Room in Agoura.<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"3q48sC8z3C\"><p><a href=\"https:\/\/lawinds.com\/events\/stars-of-the-la-winds-wine-tasting-concert\/\">Stars of the LA Winds | Wine Tasting Concert<\/a><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8220;Stars of the LA Winds | Wine Tasting Concert&#8221; &#8212; Los Angeles Symphonic Winds\" src=\"https:\/\/lawinds.com\/events\/stars-of-the-la-winds-wine-tasting-concert\/embed\/#?secret=EBOf3gdbvY#?secret=3q48sC8z3C\" data-secret=\"3q48sC8z3C\" width=\"450\" height=\"254\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<hr \/>\n<p>4\/4\/18<br \/>\nFREE GLENDALE NOON CONCERTS<br \/>\nBRENDAN WHITE Piano Recital<br \/>\nWorks by SORABJI &amp; DEBUSSY.<\/p>\n<p>http:\/\/glendalenoonconcerts.blogspot.com<\/p>\n<p>Thank you!<br \/>\nJacqueline Suzuki<br \/>\nCurator, Glendale Noon Concerts<br \/>\n818 249-5108<\/p>\n<hr \/>\n<p>The\u00a0Fabulous Grammy Nominated\u2028\u00a0PHIL NORMAN TENTET<\/p>\n<p>reminiscent of the refreshing sounds of\u2028 West Coast Jazz.<\/p>\n<p>x\u2028Los Angeles, CA.90077<\/p>\n<p>Resevations call 310-474-9400<\/p>\n<p>Click here to visit Herb Alpert&#8217;s Vibrato Grill Jazz<\/p>\n<p>PLAYING THE MUSIC OF\u00a0\u2028Rogers &amp; Hart, George Shearing,<\/p>\n<p>Benny Goodman,\u2028Hank Mancini, Debussy, Joseph Kosma,<\/p>\n<p>Billy Strayhorn, Jimmy Forrest, Stanley Turrentine<\/p>\n<p>Bob Nolan and others.<\/p>\n<hr \/>\n<p>The Pacific Northwest Film Scoring Program at the Seattle Film Institute<br \/>\nis now accepting applications for the one-year<br \/>\nMaster of Music in Film Composition<br \/>\nOne of the Top 4 Film Music Programs in the World!<br \/>\nRecently rated as the #4 school in the world for film<br \/>\nscoring education by\u00a0Music School Central.<br \/>\n&#8220;in just one year, the school places students into a<br \/>\npressure cooker of intense learning resulting in a<br \/>\nprofessional demo reel that can be used to obtain<br \/>\nfuture paid commercial opportunities.&#8221;<\/p>\n<p>Learn from Industry Professionals<br \/>\nAll PNWFS faculty are active professional film and<br \/>\ngame composers, orchestrators, copyists, and<br \/>\nengineers, including the program&#8217;s creator and<br \/>\nlead instructor Dr.\u00a0Hummie Mann.<\/p>\n<p>Hummie is the two-time Emmy Award winning<\/p>\n<p>film composer of\u00a0 &#8220;Robin Hood: Men in Tights&#8221;<\/p>\n<p>and featured in Variety Magazine&#8217;s article\u00a0&#8220;Leaders<\/p>\n<p>in Learning&#8221;.<\/p>\n<p>Our Program Features:<\/p>\n<p>\u2022 9 live recording sessions with professional<br \/>\nmusicians at Studio X, Seattle&#8217;s premiere, world-class studio.<\/p>\n<p>\u2022 Opportunities to work with student directors<br \/>\nto score actual films from film programs all<br \/>\nover the world.<\/p>\n<p>\u2022 Training in all major software programs used<br \/>\nin the industry.<\/p>\n<p>\u2022 A state-of-the-art workstation assigned to<br \/>\neach student fully installed with the latest versions<br \/>\nof all software, sample libraries and plug-ins<\/p>\n<p>needed to complete the program.<\/p>\n<p>Accelerated and Affordable<br \/>\nWe are a one-year Master of Music in Film<br \/>\nComposition program which not only gives our<br \/>\ngraduates the opportunity to enter the industry<br \/>\nand start their careers a year sooner than other<br \/>\nprograms but saves them an entire year of living<br \/>\nexpenses. In addition to our accelerated format<br \/>\nwe also offer the most affordable tuition out of<br \/>\ncompeting programs. Our students have access<br \/>\nto FAFSA financial assistance, loans, and<br \/>\nscholarships as well.<\/p>\n<p>History of Success<br \/>\nWe are very proud to have a high success rate<br \/>\nfor our graduates who have gone on to work on<br \/>\ntelevision shows such as Castle, Empire, and Once<br \/>\nUpon a Time; video games such as World of Warcraft,<br \/>\nSpate, and Destiny; and films such as The Revenant,<br \/>\nTrolls, The Dark Tower, and Guardians of the Galaxy<br \/>\nVol. 2.\u00a0Apply now\u00a0and you could be joining their ranks!<br \/>\nApplications are being accepted for the Fall 2018<br \/>\nschool year.<br \/>\nWe offer rolling admissions &#8211; no deadline to apply.<\/p>\n<p>(800) 882-4734 | www.pnwfilmmusic.com<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>UNTIL NEXT TIME,<\/p>\n<p>THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"<p>3\/23\/18 I. MUSICIAN ABUSE STORY NOW IN THE MEDIA II. A MOLE ON THE BOARD? III. LOCAL DOES THE RIGHT THING (NO, REALLY) IV. COMMENTS V. EVENTS &#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer\u2028\u2028&#8217; &#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician &#8230;Allows us to speak our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-608","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=608"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/608\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=608"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}