3\/16\/18
\nI. COWARD DU JOUR
\nII. MEMBER COMMENTARY
\nIII. BLUEBOY DASH CAM TRANSCRIPT
\nIV. DOUBLE CHARGING NOT RESOLVED
\nV. MPS MEETING ON THE 21st!<\/p>\n
VI. COMMENTS (LOTS)<\/p>\n
VII. EVENTS<\/p>\n
…Absolutely guaranteed anonymity – Former Musician’s Union officer\u2028\u2028’<\/p>\n
…The one voice of reason in a sea of insanity – Nashville ‘first call’\u2028scoring musician<\/p>\n
…Allows us to speak our minds without fear of reprisal – L.A. Symphonic musician<\/p>\n
…Reporting issues the Musicians Union doesn’t dare to mention – National touring musician<\/p>\n
=========================<\/p>\n
<\/p>\n
I. COWARD DU JOUR<\/p>\n
It’s has just been confirmed to us that after
\nbeing asked why he cannot work towards
\ngetting rid of the back end
\nPresident John Acosta was quoted as saying:
\n“I can’t, the RMA would have my head.”<\/p>\n
Coward indeed.<\/p>\n
=========================<\/p>\n
II. MEMBER COMMENTARY<\/p>\n
<\/p>\n
Someone recommended I write to the blog when I
\nsaw your latest post. Rick B told me to do non-union
\ngigs over the phone. He said: “Let me put on my
\ntrumpet hat for you – I get that you need to do non-
\nunion gigs in order to make a living so just do it but
\ndon’t publicize it.” He told me several times it
\nwas OK to do non-union gig but I shouldn’t post
\nabout it on Facebook or social media.<\/p>\n
Several people can confirm that he said this to
\nother people as well.<\/p>\n
Total Hypocrites<\/p>\n
I was also harassed by Gordon which is why
\nI went to Rick.<\/p>\n
They would not direct me to the proper channels
\nin order to go fi-core. Gordon harassed me over
\nthe phone and kept asking, “Why do you want
\nto go fi-core? You’re the reason why the union
\nin hurting.”<\/p>\n
Anyways, I’m really glad what the blog is doing
\n– exposing those criminals. Something has to change.
\nI’m tired of selected harassment and I know who that
\nperson was who was falsely accused and I hope
\nthey’ll be getting all of that $$$ back that they spent.<\/p>\n
name withheld.<\/p>\n
[EC: We have reports, and some reports posted
\npublicly on facebook, of Pres. Acosta telling
\nmusicians the same – the player he told that to
\nposted it himself.<\/p>\n
So where do they get off charging anyone?}<\/p>\n
<\/p>\n
=================================<\/p>\n
III. BLUEBOY<\/p>\n
DASH CAM TRANSCRIPT
\n(HARASSMENT BY GRAYSON)
\nTranscript from Dash Camera
\nRecording Time: 10\/27\/16
\nApproximately 2:30 PM
\nLocation: Local Musicians 47 Parking Lot<\/p>\n
Grayson: Your @@@@?<\/p>\n
@@@@: Yes.<\/p>\n
\\Grayson: I\u2019m Gordon Grayson. I’m the guy that file
\ncharges against you. I just spoke to your attorney.<\/p>\n
#####: I don’t think we can discuss that until
\nfurther proceedings, at this moment. We have
\nnot had this properly negotiated so we are not
\nwilling to make a statement.<\/p>\n
Grayson: Who are you by the way?<\/p>\n
#####: I don’t have to identify myself.<\/p>\n
Grayson: No, you don’t. I’m just curious.<\/p>\n
#####: I am looking out for the safety of
\n@@@@<\/p>\n
Grayson: Well, I have some information
\nthat you could find important.
\n#####1: We can’t speak on it but, we are
\nwelcome to listen if you want to tell us
\nyour standpoint.<\/p>\n
Grayson: I just spoke with your lawyer, ********,
\nand I assured her that there has been a
\nmisidentification. It’s unfortunate that
\nyou even had to incur the cost of an
\nattorney. You know that this process
\nis not a legal process, it’s an internal
\nunion process by which we are able
\nto be sure in certain instances or
\ncircumstances, uh, where musicians
\nmay or may not have been in violation
\nof our bylaws.<\/p>\n
So, it’s really an investigative process
\nnot necessarily disciplinary. So the idea
\nwas to get a positive identification of
\nmusicians who are in violation of the rules,
\nuh, if our identification was incorrect, we
\nwant to know that too. So obviously the
\ninterest is not to misidentify people or
\naccuse people of things that are not
\nnecessarily true. So, I have received
\ninformation from some people who
\nwere there (at the bridge) who confirmed
\nthat you were not and that is satisfactory
\nto me so, our intent is to put that in writing
\nto let you know and also, to let the
\nFederation know that this is a misidentification,
\nuh, and that those charges will be withdrawn,
\num, and for all of that I apologize.<\/p>\n
As far as public disclosure the…..a….list of
\nmusicians that was sent to each musician
\ncontained every other musician’s name but,
\nthat is the extent of the distribution. I sent
\nthat to the Federation I am sure most
\nmusicians on that list have a bedded
\ninterest so other people don’t know that
\ndon’t know that they were on it. So I
\ndoubt very seriously that the list is
\nbeing distributed but I can’t say for
\ncertain. Uh, it was not my intent to
\ndistribute that list to every musician.<\/p>\n
I sent that to the Federation, the Federation
\nsent that to every musician so they
\ncould have redacted it. And in the
\nfuture, I would try to convince them
\nto do that. If there ever arose a situation
\nlike this again, it’s pretty rare and it’s
\npretty new to me to deal with such a
\nlarge scale so there are things I could
\nhave done better and I will next time.<\/p>\n
So I will put something in writing to you
\nand your lawyer, I will put something in
\nwriting to the Federation and then as far
\nas do not hire list, there is no such list
\nas of now because these charges are
\nstill outstanding. There’s no list out there
\nthat says don’t hire<\/p>\n
@@@@@, but there are some people
\nthat might not want to hear from Mark
\nRobertson but, (awkward laugh) our
\nunion is not telling anyone not to hire
\nanybody. You know I would not stand
\nin the way of any of those musicians
\nfrom getting union employment because
\nthat’s what we come here every day for,
\nto try to help people look out for themselves
\nand for their interests. I want to extend an
\napology; you know it was certainly not
\nintended. We come here to help musicians.
\nAnd that’s the intent here is to keep our
\ncontracts going and protect the musicians
\nwho do say no to non-union work. So it’s
\nunfortunate that you got caught up in that
\nand I appreciate how upset you are and
\nI understand that we didn’t do it on
\npurpose we will do everything we can to
\nnot let that happen again.<\/p>\n
[EC: So where’s his reimbursement
\nof legal fees? ($15,000) An apology in
\nno way is enough.,… no where near.]<\/p>\n
================================<\/p>\n
IV. DOUBLE CHARGING NOT RESOLVED<\/p>\n
Charles Fernandez wrote to the Local 47 secretary
\nasking for chapter and verse of the rule that allows
\nthe union not to apply reg. dues to fi-core dues when
\na musician converts.<\/p>\n
He, to his credit, responded two days later, with two
\nscreenshots<\/p>\n
1) FROM THE BULLETIN BOARD
\nAnnual Membership Dues – Regular Member
\nFull Year: $210 – Half Year: $100<\/p>\n
Life member – Active Life Member: $110
\nInactive Life Member: $90<\/p>\n
Make checks or money orders payable to:
\nAFM Local 47, 3220 Winona Ave., Burbank, CA 91504<\/p>\n
You can also make payments with
\nVisa, Mastercard or Discover<\/p>\n
for future information, please contact the
\nDues\/Membership Department: (323) 993-3116,
\ndues@afm47.org.<\/p>\n
[EC: Nice info, but doesn’t address the question
\nat all.]<\/p>\n
———–<\/p>\n
2) AFM LOCAL 47 REFUND\/RETURN POLICY
\nUnless otherwise specified, Membership and
\nWork dues payments made to AFM Local 47
\nare not refundable.<\/p>\n
Merchandise or other items purchased directly
\nfrom AFM Local 47 may be returned within
\nfourteen days of purchase upon return of the item(s)
\nin the condition in which you received said items.<\/p>\n
To request a refund and return content, please
\ncontact AFM Local 47, Attn. Vice President’s
\nOffice, 323.993.3172
\nmerchandise@afm47.org, 3220 Wiwona Ave.
\nBurbank, CA 91504, to receive instructions on
\nreturning your product(s)<\/p>\n
<\/p>\n
COLLEAGUES,<\/p>\n
So, we’ve established that dues are non-refundable,
\nbut it does not say membership dues cannot be
\ntransferred for use as fi-core dues.
\n(In fact we now have proof that they do, more
\ninfo next week)<\/p>\n
While the secretary said an additional packet of
\ninformation was sent, Mr. Fernandez has not as
\nof yet received it and has requested another.<\/p>\n
THE BYLAWS<\/p>\n
Checking the AFM BYLAWS
\nARTICLE 5\u2013LOCALS\u2019 RIGHTS & DUTIES
\nLocal Dues and Fees Authorities – Page 28<\/p>\n
It says nothing.<\/p>\n
The words Fi-Core, Financial Core
\nand Beck Status do not appear in the
\nAFM Bylaws we have.<\/p>\n
Therefore, the Local cannot pretend
\nto have a policy preventing the transfer
\nof membership dues paid to be applied
\nto FI-Core dues if a member chooses
\nto go fi-core.<\/p>\n
To be fair, it can also be said that there
\nis no policy ALLOWING the transfer of
\nfunds for fi-core membership.<\/p>\n
This would seem to leave it up to the ethics
\nand consideration of the administration.<\/p>\n
If you’re an ethical Local, you’ll allow the
\ntransfer of membership dues to fi-core
\ndues, save musicians money and
\nrefund anyone double charged.<\/p>\n
Will they do the right thing and refund
\nMr. Fernandez’ double charging?<\/p>\n
If they are ethical they will,
\nif they aren’t they won’t. If they
\ndon’t, to our thinking this means
\nthey are guilty of defrauding
\neach member they do this to.<\/p>\n
Let’s just say we won’t hold our
\ncollective breaths.<\/p>\n
Any thoughts? We want to know.<\/p>\n
THE COMMITTEE<\/p>\n
<\/p>\n
================================<\/p>\n
V. MPS NATIONAL MEETING NEXT WEEK!
\nSave the date:
\nNationwide Meeting for all AFM Musicians
\nMarch 21, 2018 at 5pm
\nSt. Malachy’s Church
\n239 W 49th St, New York, NY<\/p>\n
LIVE STREAMING ON FACEBOOK
\nStreaming will start 5 pm EST. Go to our
\nFacebook page\u00a0here. Click follow and opt-
\nin to receive notifications when we go live.
\nDue to time constraints, we will not be able
\nto answer questions posted to Facebook
\nduring the meeting. Please send all
\nquestions to info@musiciansforpensionsecurity.com.
\nWe will get back to you ASAP.<\/p>\n
FOLLOW US ON TWITTER
\nTwitter has become a popular tool with
\npoliticians. In future calls to action, we
\ncan use it to message them directly. Go
\nto our Twitter page here and click FOLLOW.<\/p>\n
BREAKING AFM PENSION NEWS!<\/p>\n
\u2022\u00a0\u00a0 \u00a0Musicians for Pension Security recently
\nobtained the AFM-EPF trustees\u2019 own
\ndocuments\u00a0made public by law. (read
\nthem here)\u00a0These documents reveal
\nthat the pension trustees have been
\nplanning cuts to our pension benefits
\ngoing all the way back to August of 2015.
\nAccording to those documents the
\ntrustees are targeting a 25-30% cut
\nto existing benefits.<\/p>\n
\u2022 \u00a0 \u00a0On January 4, 2018, in a letter to
\nCongressional leaders, our trustees
\ndeclared that our pension plan \u201cis on
\nthe brink of entering critical and declining
\nstatus in the near future.\u201d (Read the
\nJanuary 4 letter here.) MPS believes
\nthe trustees could set a MPRA
\napplication into motion as early as
\nJune 2018, which starts the process
\nthat allows the trustees to cut our
\nbenefits.<\/p>\n
\u2022 \u00a0 \u00a0MPS hired Tom Lowman, a
\nnationally recognized pension actuary,
\nto review the situation. At the March 21
\nmeeting, Tom will show how our trustees
\nare proceeding upon questionable
\nassumptions that we would like to
\nchange and will explain why. Tom
\nLowman thinks that delaying cuts
\nand working on improving the funding
\nis the way to go. Cutting benefits
\nnow may result in larger cuts than needed.<\/p>\n
\u2022 \u00a0 \u00a0You will also hear from Jonathan
\nKantor, our legal counsel, who will
\nexplain the process that our trustees
\nare following to obtain the cuts,
\ntogether with legal options that they
\n— and we — have.<\/p>\n
It is critical that all AFM members
\nmake every effort to attend\u00a0this
\nmeeting.\u00a0If you haven’t already,
\nplease click here to RSVP to the
\nMarch 21st meeting or join us via
\nFacebook LIVE on the
\nMPS Facebook page. Your attendance
\nat the MPS National meeting will
\nhelp to give you a better understanding
\nof what is happening to our pension
\nand the solutions we think will
\nmake a difference.
\nWho is MPS? Click\u00a0HERE.<\/p>\n
What is MPRA? Click\u00a0HERE.<\/p>\n
In solidarity,
\nMusicians for Pension Security<\/p>\n
Stay informed with MPS. Join our mailing list here.<\/p>\n
<\/p>\n
=====================================<\/p>\n
VI. COMMENTS<\/p>\n
Well…well…so they could not even credit Fernandez with
\nthe dues he already paid? \u00a0They did have a published
\npolicy on how monies received would be applied…e.g.
\nAnnual dues, work dues (past) or (present)…etc. \u00a0I
\ndon’t recall seeing anything about fi-core funds…
\nand btw I would say paying twice for the same time
\nperiod is providing the union with unjust enrichment…
\nthey get almost twice as much while you get less than
\nhalf as much…hmmm.<\/p>\n
They should be able to confirm when such a policy
\nwas initiated and where was it first posted?<\/p>\n
Does the local actually have a policy regarding dual
\npayments that explains how and why they should
\nbe able to keep two payments for the same period?<\/p>\n
I would argue that if they want to keep the regular
\nannual dues then you should be able to use their
\nfacilities for the year.<\/p>\n
———————————–<\/p>\n
At least keeping both payments for the whole
\nyear should not be a policy…perhaps some kind
\nof pro-rate? \u00a0Do you think that they do this to
\nincentivize people from going if-core during any
\ngiven year…having to pay more to a union that
\ndoes everything it can to keep union work
\nconfined to a few?<\/p>\n
———————————–<\/p>\n
Kinda reminds me of the current white house s\u2022\u2022\u2022 show –
\nMarc Sazer suing because he’s not getting hired – good god –
\nwhat entitlement -the RMALA is going to drive every last
\nsession out of town except for the few that they’ll do at
\nthe one major studio left – what reasons do we have to
\nbe union anymore – my work dues were ZERO last month –
\nI’m not going to help them in upcoming negotiations as
\nthey were requesting input from rank and file recording peeps –<\/p>\n
———————————-<\/p>\n
WOW….<\/p>\n
Great public record…maybe should ask John Acosta what he
\nthinks of the Sazer suit? LOL!<\/p>\n
<\/p>\n
———————————-<\/p>\n
<\/p>\n
freelance players are not subject to tenure unless there is a
\nprovision for it in the collective bargaining agreement.
\nTo my knowledge there are no more “studio orchestras”
\nas was in the “golden age” of studio cinema…the players
\nshowed up and worked an essentially 9-5 job.<\/p>\n
The RMA has (by design and from the beginning tried
\nand very much) succeeded in creating a de facto tenure
\nfor themselves where there was none.
\nYou are either IN or OUT of their “club”.<\/p>\n
———————————-<\/p>\n
<\/p>\n
IF the DOL had the will, they could see what the RMA
\nhas done to disenfranchise the majority of the membership.
\nThey kicked out Bernie Fleischer because he wouldn’t
\ngo along. \u00a0 Only need to show that SDC was installed
\nin the Local by the RMA…the secretary to the deceased
\nmusic contractor at Universal….a few people made
\nboatloads of $$$.<\/p>\n
———————————-<\/p>\n
Another colleague says….<\/p>\n
Not happy to consider a dead union….because it is
\nthe people in charge of THIS local that are the
\nproblem…unionism via the union movement
\nhas helped a great many people in many industries.<\/p>\n
[The committee has been and always will
\nbe pro-union. But we’re pro “ethical” union,
\nnot a corrupt one.]<\/p>\n
———————————-<\/p>\n
JA has his eyes on achieving big labor union leader
\nstatus (not necessarily with AFM)…the EB spends
\nthe local dues flying him all over to “promote”
\nthe Local…in reality he is using those resources
\nto promote himself…there is no political
\nphoto-op he won’t chase. \u00a0Really…what kind
\nof return did LA get by handing out CD’s to
\nthe Chinese? \u00a0What did be actually do in
\nHavana besides giving out priestly handshakes?<\/p>\n
Does anyone know if JA has ever worked
\nunder a collective bargaining agreement
\nas a playing musician?<\/p>\n
———————————<\/p>\n
….. Welcome to Trump’s World!!<\/p>\n
———————————<\/p>\n
Interesting question….just what part of
\nthe bylaws applies to the fi-core “members”?<\/p>\n
<\/p>\n
================================<\/p>\n
VII. EVENTS<\/p>\n
<\/p>\n
DEAN AND RICHARD \u2028are now at<\/p>\n
Culver City Elks the first \u2028Friday of \u2028every month.<\/p>\n
7:30pm-10:30pm,<\/p>\n
11160 Washington Pl.<\/p>\n
Culver City, 90232<\/p>\n
310-839-8891<\/p>\n
——————————————————<\/p>\n
HELIX COLLECTIVE COMPOSING OPPORTUNITY –<\/p>\n
DEADLINE, MARCH 25TH!<\/p>\n
Apply to have your original score performed live-to-
\npicture by Helix Collective at the 2018 Los Angeles
\nLive Score Film Festival!\u00a0Apply with a link to your
\nvideo reel and a PDF score.
\nApplication deadline: March 25, 2018
\nAPPLY HERE
\nMore info: www.lalsff.org
\nLASFF Trailer Video<\/p>\n
The Los Angeles Live Score Film Festival features
\nshort films with original scores performed live-to-
\npicture. The 2018 festival on Saturday, July 21st
\nat the Barnsdall Gallery Theatre is presented by
\nHelix Collective\u00a0in collaboration with the
\nAcademy of Scoring Arts. Films for the 2018 festival
\nare curated by the faculty at the New York Film
\nAcademy, Columbia College, Hollywood, and
\nthe L.A. Film School.<\/p>\n
Selected film composers are paired with a winning
\nfilmmaker to create an original score for the festival.
\nThe film is screened with the score performed live
\nby the renowned performance and recording ensemble,
\nHelix Collective. The screening includes an interview
\nwith the filmmakers and composers. Awards for Best
\nPicture and Best Musical Score are presented at the
\nclose of the festival.<\/p>\n
Now in it\u2019s fifth season, LALSFF\u2019s goal is to highlight
\nthe role of collaboration between composers and
\nfilmmakers. Acting like a talent agent, the festival
\nbrings experts in the two disciplines together. At the
\nscreenings, filmmakers and composers hear and
\nsee the work of new colleagues, meet new collaborators,
\nand establish working relationships with each other.<\/p>\n
Helix Collective www.helixcollective.net<\/p>\n
——————–<\/p>\n
3\/19\/18
\nThe Adam Cohen Band at TRIP Santa Monica 2018-03-19<\/p>\n
The Adam Cohen Band at
\nTRIP in Santa Monica
\nMarch 19, 2018 \u2022 9-10PM\u20282101 Lincoln Blvd\u2028Santa Monica, CA 90405
\nTRIPSANTAMONICA.COM
\n\u2022 ADAM COHEN: BASS
\n\u2022 MARK HOLLINGSWORTH: SAXOPHONE
\n\u2022 BILL FULTON: KEYBOARDS
\n\u2022 DAVE ANDERSON: DRUMS
\n\u2022 JOHANN FRANK: GUITAR<\/p>\n
Wed MARCH 21, 2018 at 12:10-12:40 pm at<\/p>\n
the Free Admission
\nGLENDALE NOON CONCERTS<\/p>\n
NANCY FIERRO Piano Recital: “Music of the Belle Epoque;”
\nWorks by Lili Boulanger, Cecile Chaminade , and Claude Debussy.
\nThank you!<\/p>\n
Jacqueline Suzuki
\nCurator, Glendale Noon Concerts
\n818 249-5108<\/p>\n
—————————————-
\n4\/11\/18
\nComing to Vibrato April 11th @ 7:30pm<\/p>\n
The\u00a0Fabulous Grammy Nominated\u2028\u00a0PHIL NORMAN TENTET<\/p>\n
reminiscent of the refreshing sounds of<\/p>\n
West Coast Jazz.<\/p>\n
Los Angeles, CA.90077<\/p>\n
Reservations call 310-474-9400<\/p>\n
PLAYING THE MUSIC OF\u00a0\u2028Rogers & Hart,<\/p>\n
George Shearing, Benny Goodman,<\/p>\n
Hank Mancini, Debussy, Joseph Kosma,<\/p>\n
Billy Strayhorn, Jimmy Forrest,<\/p>\n
Stanley Turrentine\u2028Bob Nolan and others.<\/p>\n
—————————————-<\/p>\n
The Pacific Northwest Film Scoring Program<\/p>\n
at the Seattle Film Institute
\nis now accepting applications for the one-year
\nMaster of Music in Film Composition
\nOne of the Top 4 Film Music Programs in the World!
\nRecently rated as the #4 school in the world for film
\nscoring education by\u00a0Music School Central.
\n“in just one year, the school places students into a
\npressure cooker of intense learning resulting in a
\nprofessional demo reel that can be used to obtain
\nfuture paid commercial opportunities.”<\/p>\n
Learn from Industry Professionals
\nAll PNWFS faculty are active professional film and
\ngame composers, orchestrators, copyists, and
\nengineers, including the program’s creator and
\nlead instructor Dr.\u00a0Hummie Mann. \u00a0Hummie is the
\ntwo-time Emmy Award winning film composer of
\n“Robin Hood: Men in Tights” and featured in
\nVariety Magazine’s article\u00a0“Leaders in Learning”.
\nOur Program Features:\u2028\u2022 9 live recording sessions with professional
\nmusicians at Studio X, Seattle’s premiere, world-class studio.\u2028\u2028\u2022 Opportunities to work with student directors
\nto score actual films from film programs all
\nover the world.\u2028\u2022 Training in all major software programs used
\nin the industry.\u2028\u2022 A state-of-the-art workstation assigned to
\neach student fully installed with the latest versions
\nof all software, sample libraries and plug-ins needed to complete the program.<\/p>\n
Accelerated and Affordable
\nWe are a one-year Master of Music in Film
\nComposition program which not only gives our
\ngraduates the opportunity to enter the industry
\nand start their careers a year sooner than other
\nprograms but saves them an entire year of living
\nexpenses. In addition to our accelerated format
\nwe also offer the most affordable tuition out of
\ncompeting programs. Our students have access
\nto FAFSA financial assistance, loans, and
\nscholarships as well.<\/p>\n
History of Success
\nWe are very proud to have a high success rate
\nfor our graduates who have gone on to work on
\ntelevision shows such as Castle, Empire, and Once
\nUpon a Time; video games such as World of Warcraft,
\nSpate, and Destiny; and films such as The Revenant,
\nTrolls, The Dark Tower, and Guardians of the Galaxy
\nVol. 2.\u00a0Apply now\u00a0and you could be joining their ranks!
\nApplications are being accepted for the Fall 2018
\nschool year.
\nWe offer rolling admissions – no deadline to apply.<\/p>\n
(800) 882-4734 | www.pnwfilmmusic.com<\/p>\n
——————————————–<\/p>\n
UNTIL NEXT TIME,<\/p>\n
THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"
3\/16\/18 I. COWARD DU JOUR II. MEMBER COMMENTARY III. BLUEBOY DASH CAM TRANSCRIPT IV. DOUBLE CHARGING NOT RESOLVED V. MPS MEETING ON THE 21st! VI. COMMENTS (LOTS) VII. EVENTS …Absolutely guaranteed anonymity – Former Musician’s Union officer\u2028\u2028’ …The one voice of reason in a sea of insanity – Nashville ‘first call’\u2028scoring musician …Allows us to […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-516","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=516"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/516\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=516"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}