{"id":513,"date":"2018-03-09T14:07:22","date_gmt":"2018-03-09T21:07:22","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=513"},"modified":"2018-03-09T14:07:22","modified_gmt":"2018-03-09T21:07:22","slug":"petty-people-blueboy-speaks-mps-helix-opportunity-comments-events","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=513","title":{"rendered":"PETTY PEOPLE \/ BLUEBOY SPEAKS \/ MPS \/ HELIX OPPORTUNITY \/ COMMENTS \/ EVENTS"},"content":{"rendered":"

3\/8\/18
\nI. SMALL PETTY PEOPLE
\nII. \u00a0 BLUEBOY SPEAKS
\nIII. UPDATE ON NATIONAL MPS MEETING
\nIV. SHORT NOTICE COMPOSING OPPORTUNITY – HELIX COLLECTIVE<\/p>\n

V. COMMENTS<\/p>\n

VI. EVENTS\u2028\u2028\u2028…<\/p>\n

Absolutely guaranteed anonymity – Former Musician’s Union officer\u2028\u2028’\u2028…<\/p>\n

The one voice of reason in a sea of insanity – Nashville ‘first call’\u2028scoring musician\u2028\u2028\u2028…<\/p>\n

Allows us to speak our minds without fear of reprisal – L.A. Symphonic musician\u2028\u2028\u2028…<\/p>\n

Reporting issues the Musicians Union doesn’t dare to mention – National touring musician<\/p>\n

================================<\/p>\n

I. SMALL PETTY PEOPLE
\nA (REGRETFULLY LONG w\/apologies) MESSAGE FROM CHARLES FERNANDEZ<\/p>\n

When I was illegally charged by Local 47 for my
\nconducting and attending an educational demo
\nsession I knew it wasn’t about the session, it
\nwasn’t even about the CMG (Collective Media
\nGuild) it was about the Blog, the one you’re
\nreading now.<\/p>\n

Since 2005 the AFM and Local have been
\ndesperate to shut it down.
\nTHANK YOU 1st amendment.<\/p>\n

So I ultimately paid their illegal, unethical fine,
\nand went fi-core.<\/p>\n

According to the rules, you cannot use
\nUnion facilities if you’re fi-core. That’s fine,
\nHowever, if an outside organization
\nuses a room at the union, that organization
\ncan have anyone at the meeting they want.
\nIf they can have non-union people at
\ntheir meeting they can have fi-core people
\nas well, as long as the fi-core musician
\ndoesn’t play, EXCEPT in the case of a
\npaid rehearsal, in such a case the union
\nmust allow the Fi-Core musician in under
\na CBA.
\n.
\nThose running the Local thought when I went
\nfi-core the blog would disappear, but the
\nmembership has made sure that hasn’t happened.
\nWe’ve been getting some explosive stuff
\n(MAKE SURE YOU READ ‘BLUE BOY’ BELOW
\n– it’s important).<\/p>\n

WHAT’S A LOCAL TO DO?<\/p>\n

So what’s an RMA controlled Local to do?
\nGo scorched earth, and abuse the power of the
\nLocal they control through a complicit officer
\nto destroy one member they have a personal
\ngrudge against, as well as try to destroy their
\nrelationship with any musical organization they
\nare affiliated with, in this case ASMAC (American
\nSociety of Music Arrangers and Composers
\n– ASMAC.org).<\/p>\n

For the past 15+ years I have been a
\nboard member, sometimes secretary,
\nsometimes vice-president of this 80
\nyear old proud and important organization.
\nAs long as I have been a member,
\nit has met at the union.<\/p>\n

Now however, they will no longer allow
\nour group at the union if I am there.
\nAgain, an officer abusing their authority
\nagainst one individual member for personal
\nreasons. There are other non union
\nmembers on the ASAMC board, but
\nthis is directly solely at me as an
\nindividual.<\/p>\n

Why? The excuse is I “made a scene” when
\nI went Fi-core, but again this an excuse.
\nIt’s all about the blog. They’re willing to sacrifice
\na decades long relationship with a storied
\nmusical organization through countless AFM
\nadministrations because of their petty
\npersonal vendetta against one person.
\nUtterly pathetic and small.<\/p>\n

If this were any other business the offending
\npersons would be fired and likely sued, but not
\nat Local 47.
\n.
\nSO WHAT HAPPENED?
\nDOUBLE CHARGING.<\/p>\n

When I went to go fi-core I had already paid the full
\nyearly membership dues for 2018 ($210). I was told
\nthat didn’t matter and had to pay an ADDITIONAL
\n$175 fi-core fee. As would be the case with anyone,
\nthis upset me.<\/p>\n

I asked why it couldn’t be deducted from the dues I
\nalready paid and was told it was policy. I had a
\ndiscussion with Secretary Gary Lasley and left
\n(we’ve since communicated by email, where I
\napologized for getting upset, he wrote back and
\nwe’re fine, according to both of us.)<\/p>\n

Last Wednesday, March 6TH, I wrote to the secretary
\nand formally requested the chapter and verse that
\nallows the local to double charge those who choose
\nfi-core status if they’ve paid their reg member dues.
\nAs of this writing, I have not heard from him. I will
\ncertainly keep writing until I do. If, as I suspect, I am
\ntold that as a non-member I am not entitled to that
\ninformation, perhaps one of you fine upstanding
\nLocal 47 members out there can make the same
\nrequest and send us the reply.<\/p>\n

But again, this isn’t about my conduct going fi-core,
\nit’s about the blog not shutting down, it’s about
\nhurting me and anyone associated with me in
\nany way they can to get me to stop the blog
\nand further damage my career and relationships
\nin the business.<\/p>\n

Petty and small indeed.<\/p>\n

SHUTTING DOWN THE BLOG<\/p>\n

It’s not going to happen.<\/p>\n

I don’t believe the secretary is behind this, since
\nwe’ve talked, I don’t believe VP Rick Baptist is
\nbehind it, he worked for me for many years in
\nthe studios. A consummate professional, No
\none gives waa’s and wop’s like Rick. That leaves
\nonly one officer and the group that he is beholden to.<\/p>\n

This is how small, how petty, how subservient
\nthe Executive Board of Local 47 is to the people
\nwho really run the union. No backbone, No shame.<\/p>\n

The one I am most disappointed in is Vice President Rick
\nBaptist, who I’ve known for decades as a stellar musician
\nand person but who has seemingly become subservient to
\nJohn Acosta and his handlers. I expected he would stand
\nup for what is right and in defense of the rank and file. It pains
\nme to learn otherwise. He been doing Acosta’s dirty work
\nin sending letters and busting sessions. Why can’t John
\ndo it himself? Won’t look good in pictures or documentation
\nI suppose.<\/p>\n

No organization or member deserves this treatment by
\nsuch a small petty group of people. If this upsets you
\nand you have the conviction to actually speak up (I’m
\nlooking at you Local 47 board members) it’s about
\ntime you did so. How long will you allow the
\nrank abuse of the officer’s power against individual
\nmusicians to go on? Again, make sure to
\nread BLUE BOY below. This goes for the rank and
\nfile as well. What will it take to get more musicians
\nto stand up and say “I’m mad as Hell and I”m not
\ngoing to take it any more”.<\/p>\n

The abuse and selective enforcement this Local
\nand it’s handlers have engaged in without
\nconscience and without precedent is deplorable.<\/p>\n

In my learned opinion. This Local is no longer a
\nsolution for the rank and file, it is the problem.<\/p>\n

CHARLES FERNANDEZ<\/p>\n

============================<\/p>\n

II. \u00a0 BLUEBOY SPEAKS
\nNoticed that your recent leaks have generated quite
\nthe reaction from the RMA cronies. I am also wondering
\nif you have any IP address of the user which tried to
\nhack your blog. I am nearly sure that the SMIRK tried
\nto hack a few of us…I have IP addresses to share.
\nI am sending you screenshots from a video that
\nwas sent to me by a friend of the musician who
\nwas falsely accused at the “busted bridge session”.<\/p>\n

[EC: We have an IP address or two to share as well.]<\/p>\n

I have been authorized to allow you to post these.
\nThe video in its entirety will be posted very soon.<\/p>\n

The musician has been harassed because of a
\n“union error” (which is more or less an RMA-
\nsponsored targeting operation) has incurred
\nmore than $15,000 in legal defense fees to
\nfight the union to restore their good name.<\/p>\n

The local sent around the name of this person
\nwith their name, address and phone number
\nattached to a photo of A DIFFERENT PERSON.
\nThis musician was not even present at the
\nalleged “bridge session”. All our bosses got
\nthis list through “back channels”.\u00a0 Erick Cruz
\nwas, in fact, the official who made the false
\nidentification. It would later be Gordon who
\ntook the fall.<\/p>\n

Gordon and Erick followed this member into
\nthe parking lot after a business visit and,
\nessentially tried to intimidate and discourage
\nthem. The member said nothing and Gordon
\nwent on a wild rant, made snide comments
\nabout a fellow member\/contractor and gave a
\nsoftball “apology” all while scolding the member
\nfor retaining a lawyer. The local still refuses to
\nrectify the distribution of fraudulent charges.<\/p>\n

The member was also bullied in an attempt for
\nthem to sign an unlawful NDA (non-disclosure
\nagreement) in exchange for an apology and a
\ntiny sum of taxable reimbursement.<\/p>\n

The member is in the process of filing a civil complaint.<\/p>\n

The member wants a proper apology but, John
\nAcosta refuses to print or post it all while hiding
\nbehind the “decisions” made by his “executive
\nboard”.<\/p>\n

We can post it for them: I can’t say the union
\nwas not warned multiple times……..Gordon
\nlost his job because of this…..who else thinks
\nits time for Acosta to lose his job over this?<\/p>\n

PS: The RMA sent out a freakin love letter
\nthanking Gordon for his service after he got
\nthe boot. Why else would the RMA thank
\nhim unless he had been doing their dirty
\nwork?! This is the newsletter statement
\nthey sent around:<\/p>\n

“Gordon Grayson has served as the Administrator
\nof the Electronic Media Division of Local 47
\nfor the past eight years. A staunch labor advocate,
\nGordon had previously worked at the Writers
\nGuild of America West. As he moves on, we
\nwould like to express our gratitude for his
\nyears of dedicated, straight-shooting service
\nto our Local, and to our musicians working in
\nrecording. We wish him every future success!<\/p>\n

– RMALA\u00a0 Board”<\/p>\n

#takebackOURlocal<\/p>\n

-BlueBoy<\/p>\n

[Blueboy also provided us pictures clearly
\nshowing Gordon Grayson and Erick Cruz
\ntargeting musicians, you can see them at
\nthe following links.<\/p>\n

\"UNION<\/a><\/p>\n

\"UNION<\/a><\/p>\n

 <\/p>\n

[EC: The Local and AFM have once again
\nproven themselves morally and ethically
\nbankrupt. Charles Fernandez as well incurred
\nover $15,000 in legal fees fighting bogus
\ncharges instituted by Gordon Grayson but all
\nassisted by John Acosta.<\/p>\n

In Mr. Fernandez’s Hearing, though Grayson
\nwas asked the questions, he didn’t seem to
\nknow any of the details and had to be assisted
\nin answering most questions by consulting
\nJohn Acosta. (Picture Cheney having to be in
\nthe room when Bush Jr. was interviewed)
\nThough Grayson filed the charges,
\nAcosta was the force behind them.<\/p>\n

You can find the transcript online and
\nread it for yourself.<\/p>\n

Regarding the session where Mr. Fernandez
\nwas targeted, there were two musicians
\nseen in pictures playing the entirety of the
\nnonunion session . The cellist who signed a
\nletter stating they saw Mr Fernandez conducting
\n(NOT against the bylaws) was STEVE VELEZ,
\nwho then escaped any fine, and led directly
\nto Mr. Fernandez’s $15,000+ in legal costs.
\nThe violist who refused to fraudulently target
\nMr. Fernandez was fined initially $400.<\/p>\n

Mr. Fernandez, though no bylaw was broken
\nwas fined $2,500 for simply being at the session
\nas an educator.<\/p>\n

This conduct shows NO ethics, NO morals
\nand NO conscience.Such behavior cannot
\nbe tolerated in any legitimate organization.<\/p>\n

We want to know your story of abuse by
\nthis Local and the National AFM. Write to us.
\nIf it can be verified, we’ll run it.]<\/p>\n

==============================<\/p>\n

III. UPDATE ON NATIONAL MPS MEETING
\nLocation Confirmed<\/p>\n

Save the date:
\nNationwide Meeting for all AFM Musicians
\nMarch 21, 2018 at 5pm
\nSt. Malachy’s Church
\n239 W 49th St, New York, NY
\nLIVE STREAMING ON FACEBOOK<\/p>\n

BREAKING AFM PENSION NEWS!<\/p>\n

\u2022\u00a0\u00a0 \u00a0Musicians for Pension Security recently
\nobtained the AFM-EPF trustees\u2019 own
\ndocuments\u00a0made public by law. (read them
\nhere)\u00a0These documents reveal that the
\npension trustees have been planning cuts
\nto our pension benefits going all the way
\nback to August of 2015. According to those
\ndocuments the trustees are targeting a
\n25-30% cut to existing benefits. *MPS
\nnow believes the trustees could set a
\nMPRA application into motion as early as
\nJune 2018, which starts the process that
\nallows the trustees to cut our benefits.<\/p>\n

\u2022\u00a0\u00a0 \u00a0MPS hired Tom Lowman, a nationally
\nrecognized pension actuary, to review the
\nsituation. At the March 21 meeting, Tom
\nwill show how our trustees are proceeding
\nupon questionable assumptions that we
\nwould like to change and will explain why.
\nHe will present a plan to stabilize our
\npension in the near term and will recommend
\nmeasures to assure the long-term stability
\nof the plan.<\/p>\n

\u2022\u00a0\u00a0 \u00a0Tom Lowman thinks that delaying cuts
\nand working on improving the funding is
\nthe way to go. Cutting benefits now may
\nresult in larger cuts than needed. Also,
\ncutting now while hoping to restore some
\nof those cuts later would be difficult.
\nHe will explain why at the March 21 meeting.<\/p>\n

\u2022 \u00a0 \u00a0You will also hear from Jonathan
\nKantor, our legal counsel, who will
\nexplain the process that our trustees
\nare following to obtain the cuts, together
\nwith legal options that they — and we —
\nhave.<\/p>\n

It is critical that all AFM members make
\nevery effort to attend\u00a0this meeting. For
\nthose across the country who can\u2019t be
\nthere, the meeting will be streamed via
\nFacebook LIVE on the MPS Facebook page.
\nYour attendance at the MPS National
\nmeeting will help to give you a better
\nunderstanding of what is happening
\nto our pension and the solutions we
\nthink will make a difference.<\/p>\n

If you haven’t already, please click here to
\nRSVP to the March 21st meeting.
\nWho is MPS? Click\u00a0HERE.<\/p>\n

What is MPRA? Click\u00a0HERE.<\/p>\n

In solidarity,
\nMusicians for Pension Security<\/p>\n

==============================<\/p>\n

IV. HELIX COLLECTIVE COMPOSING OPPORTUNITY –<\/p>\n

DEADLINE, MARCH 25TH!<\/p>\n

Apply to have your original score performed live-to-
\npicture by Helix Collective at the 2018 Los Angeles
\nLive Score Film Festival!\u00a0Apply with a link to your
\nvideo reel and a PDF score.
\nApplication deadline: March 25, 2018
\nAPPLY HERE
\nMore info: www.lalsff.org
\nLASFF Trailer Video<\/p>\n

The Los Angeles Live Score Film Festival features
\nshort films with original scores performed live-to-
\npicture. The 2018 festival on Saturday, July 21st
\nat the Barnsdall Gallery Theatre is presented by
\nHelix Collective\u00a0in collaboration with the
\nAcademy of Scoring Arts. Films for the 2018 festival
\nare curated by the faculty at the New York Film
\nAcademy, Columbia College, Hollywood, and
\nthe L.A. Film School.<\/p>\n

Selected film composers are paired with a winning
\nfilmmaker to create an original score for the festival.
\nThe film is screened with the score performed live
\nby the renowned performance and recording ensemble,
\nHelix Collective. The screening includes an interview
\nwith the filmmakers and composers. Awards for Best
\nPicture and Best Musical Score are presented at the
\nclose of the festival.<\/p>\n

Now in it\u2019s fifth season, LALSFF\u2019s goal is to highlight
\nthe role of collaboration between composers and
\nfilmmakers. Acting like a talent agent, the festival
\nbrings experts in the two disciplines together. At the
\nscreenings, filmmakers and composers hear and
\nsee the work of new colleagues, meet new collaborators,
\nand establish working relationships with each other.<\/p>\n

Helix Collective www.helixcollective.net<\/p>\n

 <\/p>\n

================================<\/p>\n

V. COMMENTS<\/p>\n

Thank you for your blog post. Really thank you! Awesome.
\n————————<\/p>\n

Thank goodness for the blog. You are the only
\nthing standing between the union and
\nblind corruption without accountability.<\/p>\n

================================<\/p>\n

VI. EVENTS<\/p>\n

DEAN AND RICHARD<\/p>\n

are now at Culver City Elks<\/p>\n

the first \u2028Friday of \u2028every month.<\/p>\n

7:30pm-10:30pm,<\/p>\n

11160 Washington Pl.\u2028 Culver City,<\/p>\n

90232<\/p>\n

310-839-8891
\n——————————————————<\/p>\n

3\/12\/18
\nDear friends,
\nI’d like to invite you to a unique concert that will take
\nplace next\u00a0Monday night, March 12th at 7:30 pm
\nat the First Christian Church of North Hollywood.
\nIt will be a rare opportunity to hear a first-rate
\nperformance by a leading young concert artist
\nin the accordion world, Grayson Masefield.<\/p>\n

Grayson is from New Zealand and\u00a0has become a
\nsought-after concert artist, presently continuing his
\nstudies towards a masters degree in music at the
\nHEMU \u2013 University of Music, Lausanne, Switzerland.
\nHe\u00a0will be in Los Angeles for this one night only and
\nwill share his program mix of new concert music
\nspecifically written for the accordion as well as
\ninterpretations of Baroque and Classical selections.
\nMany of you have heard me speak of the wealth of
\nmusic for accordion that we seldom hear – music
\nthat utilizes the accordion in ways other than as a
\npop\/folk instrument. \u00a0I often travel to other parts of
\nthe world for events that celebrate the accordion
\nmusic in this way and to hear this kind of performance
\nand the new music being written for the instrument.<\/p>\n

This is a rare opportunity to hear something that is
\nnew to you. \u00a0 Come join me (and bring a friend) in
\nwelcoming Grayson in concert. \u00a0 After the concert
\nI will provide dessert and beverages at my home
\nnearby to give you an opportunity to meet him!
\nLiz Finch
\n(818) 766-3101
\n(818) 679-7958 (cell)<\/p>\n

First Christian Church of North Hollywood
\n4390 Colfax Ave.
\nStudio City, 91604
\n(The church is on the corner of Cofax Ave.
\nand Moorpark St. – East of Laurel Cyn. Blvd,
\nnorth of Ventura Blvd. \u00a0There is free parking
\nin the church parking lot and some street parking.)<\/p>\n

———————————————————————————<\/p>\n

3\/21\/18
\nWed MARCH 21, 2018 at 12:10-12:40 pm at the<\/p>\n

Free Admission GLENDALE NOON CONCERTS<\/p>\n

NANCY FIERRO Piano Recital: “Music of the Belle Epoque;”
\nWorks by Lili Boulanger, Cecile Chaminade ,<\/p>\n

and Claude Debussy.<\/p>\n

http:\/\/www.glendalenoonconcerts.blogspot.com
\nThank you!
\nJacqueline Suzuki
\nCurator, Glendale Noon Concerts
\n818 249-5108<\/p>\n

\n

Coming to Vibrato April 11th @ 7:30pm<\/p>\n

The\u00a0Fabulous Grammy Nominated<\/p>\n

PHIL NORMAN TENTET<\/p>\n

reminiscent of the refreshing sounds<\/p>\n

of\u2028 West Coast Jazz.x<\/p>\n

Los Angeles, CA.90077<\/p>\n

Reservations call 310-474-9400<\/p>\n

Click here to visit Herb Alpert’s Vibrato Grill Jazz<\/p>\n

PLAYING THE MUSIC OF<\/p>\n

Rogers & Hart, George Shearing, Benny Goodman,<\/p>\n

Hank Mancini, Debussy, Joseph Kosma,<\/p>\n

Billy Strayhorn, Jimmy Forrest, Stanley Turrentine<\/p>\n

Bob Nolan and others.<\/p>\n

—————————————-<\/p>\n

The Pacific Northwest Film Scoring Program at the Seattle Film Institute
\nis now accepting applications for the one-year
\nMaster of Music in Film Composition
\nOne of the Top 4 Film Music Programs in the World!
\nRecently rated as the #4 school in the world for film scoring education by\u00a0Music School Central.
\n“in just one year, the school places students into a pressure cooker of intense learning resulting in a professional demo reel that can be used to obtain future paid commercial opportunities.”<\/p>\n

Learn from Industry Professionals
\nAll PNWFS faculty are active professional film and game composers, orchestrators, copyists, and engineers, including the program’s creator and lead instructor Dr.\u00a0Hummie Mann. \u00a0Hummie is the two-time Emmy Award winning film composer of “Robin Hood: Men in Tights” and featured in Variety Magazine’s article\u00a0“Leaders in Learning”.
\nOur Program Features:\u2028\u2022 9 live recording sessions with professional musicians at Studio X, Seattle’s premiere, world-class studio.\u2028\u2028\u2022 Opportunities to work with student directors to score actual films from film programs all over the world.\u2028\u2022 \u2028Training in all major software programs used in the industry.\u2028\u2022 \u2028A state-of-the-art workstation assigned to each student fully installed with the latest versions of all software, sample libraries and plug-ins needed to complete the program.<\/p>\n

Accelerated and Affordable
\nWe are a one-year Master of Music in Film Composition program which not only gives our graduates the opportunity to enter the industry and start their careers a year sooner than other programs but saves them an entire year of living expenses. In addition to our accelerated format we also offer the most affordable tuition out of competing programs. Our students have access to FAFSA financial assistance, loans, and scholarships as well.<\/p>\n

History of Success
\nWe are very proud to have a high success rate for our graduates who have gone on to work on television shows such as Castle, Empire, and Once Upon a Time; video games such as World of Warcraft, Spate, and Destiny; and films such as The Revenant, Trolls, The Dark Tower, and Guardians of the Galaxy Vol. 2.\u00a0Apply now\u00a0and you could be joining their ranks!
\nApplications are being accepted for the Fall 2018\u00a0school year.\u2028We offer rolling admissions – no deadline to apply.<\/p>\n

(800) 882-4734 | www.pnwfilmmusic.com\u2028——————————————–\u2028\u00a0\u2028UNTIL NEXT TIME,\u2028\u2028THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"

3\/8\/18 I. SMALL PETTY PEOPLE II. \u00a0 BLUEBOY SPEAKS III. UPDATE ON NATIONAL MPS MEETING IV. SHORT NOTICE COMPOSING OPPORTUNITY – HELIX COLLECTIVE V. COMMENTS VI. EVENTS\u2028\u2028\u2028… Absolutely guaranteed anonymity – Former Musician’s Union officer\u2028\u2028’\u2028… The one voice of reason in a sea of insanity – Nashville ‘first call’\u2028scoring musician\u2028\u2028\u2028… Allows us to speak our […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-513","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=513"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/513\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=513"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}