{"id":475,"date":"2017-11-09T12:09:22","date_gmt":"2017-11-09T19:09:22","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=475"},"modified":"2017-11-09T12:09:22","modified_gmt":"2017-11-09T19:09:22","slug":"afm-epf-expenses-consolidation-chris-young-workshop-comment-events","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=475","title":{"rendered":"AFM-EPF EXPENSES \/ CONSOLIDATION \/ CHRIS YOUNG WORKSHOP \/ COMMENT \/ EVENTS"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>11\/9\/17<\/p>\n<p>I. THE TRUTH ABOUT AFM-EPF EXPENSES<br \/>\nII. STUDIO CONSOLIDATION &#8211; MEMBER COMMENT and LINK<br \/>\nIII. ASMAC WORKSHOP WITH CHRISTOPHER YOUNG &#8211; NOV. 11th (TOMORROW!)<br \/>\nIV. MEMBER COMMENT<br \/>\nV. EVENTS<\/p>\n<p>&#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer<\/p>\n<p>&#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician<br \/>\n&#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician<\/p>\n<p>&#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention &#8211; National touring musician<\/p>\n<p>&nbsp;<\/p>\n<p>================================<\/p>\n<p>&nbsp;<\/p>\n<p>I. THE TRUTH ABOUT AFM-EPF EXPENSES<\/p>\n<p>&nbsp;<\/p>\n<p>Musicians for Pension Security has discovered more<\/p>\n<p>manipulation of the facts by AFM-EPF Trustees who<\/p>\n<p>are trying to spin the truth about the performance of<\/p>\n<p>our pension fund. Recently posted to the AFM-EPF<\/p>\n<p>website is an updated presentation concerning our<\/p>\n<p>fund performance (you can find it here) where the<\/p>\n<p>Trustees state that AFM-EPF administrative expenses<\/p>\n<p>are \u201ccomparatively low\u201d within the peer group.<\/p>\n<p>&nbsp;<\/p>\n<p>The peer group consists of five other pension plans,<\/p>\n<p>all in the entertainment industry.\u2028\u00a0\u2028Given the Trustees\u2019<\/p>\n<p>spotty record for accuracy in these matters we decided<\/p>\n<p>to check it out.\u00a0Not surprisingly, MPS found the Trustees\u2019<\/p>\n<p>statements to be inaccurate and misleading.<\/p>\n<p>Our analysis found that the administrative costs of AFM-EPF<\/p>\n<p>are by far the highest in the peer group. We did this by using<\/p>\n<p>a standard measurement for cost efficiency, comparing the<\/p>\n<p>administrative expenses to assets under management.<\/p>\n<p>What we found is that the average in the peer group was<\/p>\n<p>0.73% whereas the AFM-EPF is 1.21%.\u00a0 The AFM-EPF\u2019s<\/p>\n<p>expenses are 49.4% higher than the average in the peer<\/p>\n<p>group of five other entertainment industry pension funds*.<\/p>\n<p>We also compared the salary of the highest paid employee<\/p>\n<p>in the peer group. As many of you know, Maureen Kilkelly,<\/p>\n<p>the Fund Administrator of AFM-EPF since 1997, as of 2015<\/p>\n<p>makes $422,667 per year. The peer group average is $231,346.<br \/>\nAFM-EPF Fund Administrator Maureen Kilkelly\u2019s salary is<\/p>\n<p>57.7% higher than the average for the peer group.<\/p>\n<p>Clearly, all that extra expense does not produce better<\/p>\n<p>performance at the AFM-EPF.\u00a0 We came to this conclusion<\/p>\n<p>by comparing the peer group of five entertainment industry<\/p>\n<p>pension plans funded ratios versus funded ratio of the<\/p>\n<p>AFM-EPF.\u00a0 Pension plans track their financial health each<\/p>\n<p>year by calculating its funded ratio through a simple formula<\/p>\n<p>that divides plan assets by the present value of benefits<\/p>\n<p>they must pay to participants.<\/p>\n<p>&nbsp;<\/p>\n<p>The average funded ratio for the peer group is 89.5%.<\/p>\n<p>Ours is 69%.\u00a0 AFM-EPF Funded Ratio is 25.8% lower<\/p>\n<p>than the peer group.<\/p>\n<p>Finally, we compared net cash flow of the peer group<\/p>\n<p>vs. AFM-EPF. We found that each of the five peer funds<\/p>\n<p>are strongly cash flow positive, while ours is the only<\/p>\n<p>one that is cash flow negative.<\/p>\n<p>&nbsp;<\/p>\n<p>We are losing $121.2 million per year.<\/p>\n<p>In last week\u2019s email, we highlighted a statement that<\/p>\n<p>President of Local 802 Tino Gagliardi (AFM-EPF Trustee<\/p>\n<p>since 2010 and Investment Committee member) made<\/p>\n<p>about the state of the pension fund:<\/p>\n<p>\u201cIn the eight years since the end of the financial crisis,<\/p>\n<p>the Fund\u2019s average annualized return is 9.8% before fees.<\/p>\n<p>That\u2019s good, particularly since, in three of those years,<\/p>\n<p>the fund didn\u2019t make its target 7.5% assumed rate of<\/p>\n<p>return**.\u201d<br \/>\nUsing numbers straight from the Trustee\u2019s own investment<\/p>\n<p>reports MPS showed plan participants just how bad the<\/p>\n<p>investment performance has been, and how off base President<\/p>\n<p>Gagliardi\u2019s assessment is.<\/p>\n<p>This week MPS again took the Trustees&#8217; own numbers, from<\/p>\n<p>their updated AFM-EPF presentation, to bring clarity to the<\/p>\n<p>issue of expenses and we have come to the same conclusion:<\/p>\n<p>They continue to spin the numbers and\u00a0 they are not straight<\/p>\n<p>with us. We have to ask again: Where is the accountability?<\/p>\n<p>Where is the transparency? And when are the Trustees<\/p>\n<p>going to do something to address the poor performance<\/p>\n<p>of this pension fund?<\/p>\n<p>________________________________________________<\/p>\n<p>Screen Actors Guild (SAG)\u2028International Alliance of Theatrical<\/p>\n<p>Stage Employees (IATSE)<\/p>\n<p>Producer-Writers Guild of America<\/p>\n<p>Pension Plan (PW)\u2028Directors Guild of America (DG)<\/p>\n<p>American Federation of Television and Radio Artists (AFTRA)<\/p>\n<p>American Federation of Musicians (AFM)<\/p>\n<p>&nbsp;<\/p>\n<p>=========================================<\/p>\n<p>&nbsp;<\/p>\n<p>II. STUDIO CONSOLIDATION &#8211; MEMBER COMMENT and LINK<\/p>\n<p>Another Change for the neighborhood. Consolidation. While new players are entering<br \/>\nthe business, Amazon, Apple, Netflix, etc.the big four are inevitably were going to feel<br \/>\nthe squeeze. CBS Hollywood Sale has shown how the<\/p>\n<p>Business is retiring from the old business model to survive the new kids on the block.<\/p>\n<p>So what have WE done? Let LA Burn for the few.<\/p>\n<p>When the big four made themselves distributors of film years ago to control the product<br \/>\nin movie theaters, now with a future of streaming, who needs distribution. People<br \/>\nwill watch where and what ever they want.<\/p>\n<p>See Link:<\/p>\n<p>http:\/\/www.latimes.com\/business\/hollywood\/la-fi-ct-disney-fox-sale-talks-20171106-story.html#share=email~story<\/p>\n<p>&nbsp;<\/p>\n<p>====================================<\/p>\n<p>&nbsp;<\/p>\n<p>III. ASMAC WORKSHOP WITH CHRISTOPHER YOUNG &#8211; NOV. 11th (TOMORROW!)<br \/>\nThis coming November 11th, ASMAC will be having a<br \/>\nwinning masterclass with Award Winning Composer<br \/>\nChristopher Young!<\/p>\n<p>Join ASMAC for an exciting Master Class\u2028with Christopher Young!<br \/>\n\u201cScoring Genre Films\u201d<br \/>\nModerated by Sylvester Rivers<br \/>\nSaturday, November 11th \u2013 11:00am \u2013 2:00pm<br \/>\nOver the years Chris has scored over 125 movies including Spider-Man 3,<br \/>\nThe Rum Diary starring Johnny Depp, The Hurricane with Denzel<br \/>\nWashington, The Shipping News with Kevin Spacey and Drag Me<br \/>\nTo Hell. Chris has been on the faculty of the USC Screen Scoring<br \/>\nprogram for over ten years, a two-term past president of The Film<br \/>\nMusic Society and the president of the Madrid Film Music Festival<br \/>\nin Spain. Young teaches and mentors around the world in countries<br \/>\nincluding Bulgaria, Ireland, Germany and Australia and in 2010<br \/>\nestablished the \u201cTilden House\u201d residency program, providing<br \/>\nhousing assistance to those who might not otherwise be able to<br \/>\nstart or continue their composing careers in Los Angeles<br \/>\nMODERATOR<br \/>\nComposer, arranger and pianist Sylvester Rivers has recorded with<br \/>\nnumerous hit artists including Lionel Richie, Diana Ross, The<br \/>\nJacksons, Sammy Davis, Jr., Dionne Warwick, Nancy Wilson,<br \/>\nKenny Rogers, Johnny Mathis, Aretha Franklin, New Edition,<br \/>\nSmokey Robinson, The Temptations, Gladys Knight &amp; The<br \/>\nPips, Barry White, Marc Bolan &amp; T. Rex, Ray Parker, Jr. &amp;<br \/>\nRaydio, Deniece Williams, The Fifth Dimension and many others.<br \/>\nComposing, arranging and orchestrating for television and film,<br \/>\nas well, such as the television series, \u201cFame,\u201d songs for the Kevin<br \/>\nBacon\/ Laurence Fishburne film, \u201cQuicksilver,\u201d<br \/>\n\u201cBreakin\u2019 2: Electric Boogaloo,\u201d \u201cThe Arsenio Hall Show\u201d<br \/>\nand numerous others, he has been prolific in producing music<br \/>\nthroughout a wide spectrum.<\/p>\n<p>The masterclass will take place at<br \/>\nRancho Cordillera del Norte<br \/>\n9015 Wilbur Ave<br \/>\nNorthridge, California 91324<br \/>\nranchodelacordillera.com<\/p>\n<p>Cost will be $25 for members and students.<br \/>\n$40 for non-members<\/p>\n<p>&nbsp;<\/p>\n<p>===========================<\/p>\n<p>IV. COMMENT<\/p>\n<p>Re: Ripinsky \u2013 Moving company is holding\u2028our archive. Being kept safe.\u20282,400 sq. foot area for archive.\u202874 filing cabinets of contracts.<br \/>\nsome out -of-work musicians could be employed to<br \/>\ngo through all 74 cabinets of those contracts, and<br \/>\nwith Mr Ripinsky\u2019s guidance, find some of us the<br \/>\nmoney we will never have otherwise. (i wonder..<br \/>\nhow many contracts were destroyed in that<br \/>\nmysterious fire ?)<br \/>\ni have suggested this to union bigwigs since Max<br \/>\nHerman days; they all looked at me like i was nuts.\u2028there\u2019s work dues in those files, you idiots !<\/p>\n<p>===========================<\/p>\n<p>&nbsp;<\/p>\n<p>V. EVENTS<br \/>\nDEAN AND RICHARD<br \/>\nare now at Culver City Elks the first \u2028Friday of \u2028every month.<br \/>\n7:30pm-10:30pm,<br \/>\n11160 Washington Pl.<br \/>\nCulver City, 90232<br \/>\n310-839-8891<\/p>\n<p>&nbsp;<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>&nbsp;<\/p>\n<p>11\/9\/17<\/p>\n<p>Orchestre Surreal<br \/>\nThursday November 9th &#8211; 8PM<\/p>\n<p>The El Portal Theatre<br \/>\n5269 Lankershim Blvd<br \/>\nNorth Hollywood, CA 91601<\/p>\n<p>Ticket Price &#8211; $30<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>11\/12\/17<\/p>\n<p>DOCTOR WU at VITELLO&#8217;S<br \/>\nSunday, November 12th, 2017<\/p>\n<p>If you love the music of Steely Dan, please join us for this<br \/>\nspecial night as The Doctor Wu Band returns to Vitello&#8217;s<br \/>\n(upstairs) for another great show.\u00a0 This is a beautiful listening<br \/>\nroom with delicious Italian cuisine. With the passing of the<br \/>\ngreat Walter Becker, co-founder of Steely Dan, shortly after<br \/>\nour last show, we are honored to be back and playing this<br \/>\ntimeless music for you once again.<\/p>\n<p>** Table reservations\/Advanced Tickets are $10 and strongly<br \/>\nrecommended. Click here to make your reservation:<br \/>\nhttp:\/\/www.vitellosrestaurant.com\/purchase-tickets<\/p>\n<p>Please note: Vitello&#8217;s recently implemented a $10 increase<br \/>\nin the cover at the door on the day of the show so be sure<br \/>\nto reserve in advance **<\/p>\n<p>818.769.0905<br \/>\n4349 Tujunga Ave<br \/>\nStudio City, California 91604<br \/>\nValet or street parking<\/p>\n<p>About the The Doctor Wu Band:<br \/>\nSteely Dan produced an amazing number of recognizable<br \/>\nradio hits well known to all.\u00a0 The Doctor Wu Band\u2019s recreations<br \/>\nof this astonishing string of chart-toppers and album favorites<br \/>\nhave thrilled fans all over Southern California for over a decade!<br \/>\nWith a full line-up that includes a 4-piece horn section, this<br \/>\ntalented group of professional players love to have fun and<br \/>\nshare the joy of performing the music of Steely Dan.<\/p>\n<p>Members of Doctor Wu have performed and recorded with the<br \/>\nlikes of Chicago, Dave Benoit, Echo &amp; the Bunnymen, Stanley<br \/>\nClarke, UB40, Dionne Warwick, Chaka Khan, Poncho Sanchez,<br \/>\nThe Temptations, Jay Graydon and more.<\/p>\n<p>Line up:<br \/>\nTony Egan: Lead Vocals<br \/>\nLeigh DeMarche &amp; Lauri Reimer: background vocals<br \/>\nGil Ayan: Guitar<br \/>\nSteve Bias: Bass and backgorund vocals<br \/>\nMark Harrison: Keyboards<br \/>\nRoch Bordenave: Trombone<br \/>\nJeff Dellisanti: Saxophones<br \/>\nFrank Villafranca: Saxophones<br \/>\nKurt Walther: Drums<br \/>\nAndy Weiner: Trumpet<\/p>\n<p>&nbsp;<\/p>\n<p>We look forward to seeing you there!<br \/>\nThe Doctor Wu Band<br \/>\nhttp:\/\/www.doctorwuband.com\/<br \/>\nhttps:\/\/www.facebook.com\/doctorwuband<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>UNTIL NEXT TIME,\u2028\u2028THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; 11\/9\/17 I. THE TRUTH ABOUT AFM-EPF EXPENSES II. STUDIO CONSOLIDATION &#8211; MEMBER COMMENT and LINK III. ASMAC WORKSHOP WITH CHRISTOPHER YOUNG &#8211; NOV. 11th (TOMORROW!) IV. MEMBER COMMENT V. EVENTS &#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer &#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician &#8230;Allows [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-475","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=475"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/475\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=475"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}