5\/4\/17<\/p>\n
I. AFM & SAG-AFTRA Fund\u2028II. ACADEMY OF SCORING ARTS<\/p>\n
II. ACADEMY OF SCORING ARTS EVENT<\/p>\n
III. MEMBER COMMENTS<\/p>\n
V. EVENTS<\/p>\n
\n…Absolutely guaranteed anonymity – Former Musician’s Union officer<\/p>\n
…The one voice of reason in a sea of insanity – Nashville ‘first call’\u2028scoring musician<\/p>\n
…Allows us to speak our minds without fear of reprisal – L.A. Symphonic musician
\n <\/p>\n
…Reporting issues the Musicians Union doesn’t dare to mention – National touring musician<\/p>\n
============================================<\/p>\n
I. AFM & SAG-AFTRA Fund in the Spotlight at ASCAP Expo
\nfrom the Hollywood Reporter<\/p>\n
by Jonathan Handel<\/p>\n
The little-known AFM & SAG-AFTRA Intellectual Property
\nRights Distribution Fund pays royalties even to oft-neglected
\nsession musicians and backup singers. Stevie Wonder was
\nthe headliner \u2014 and closing act \u2014 of the ASCAP I Create
\nMusic Expo that concluded this weekend, but musicians
\nand singers will be interested to know that an obscure
\nfund, jointly run by the American Federation of Musicians
\nand performers\u2019 union SAG-AFTRA, also had a moment
\nin the sun at the annual conference for songwriters,
\ncomposers, artists and producers.<\/p>\n
If those two unions seem like an odd pairing, they aren\u2019t:
\nsince its 2012 founding by way of merger, SAG-AFTRA,
\nlike AFTRA before it, has represented recording artists
\n\u2014 singers \u2014 as well as actors and others, such as
\nbroadcasters.
\nThe joint fund, the AFM & SAG-AFTRA Intellectual Property
\nRights Distribution Fund, distributed about $60 million
\nin royalties in 2016 and thus will be welcome as anything
\nbut odd by those who receive checks from it \u2014 a variety
\nof singers and musicians, including such non-featured
\nperformers as backup singers and session musicians,
\nwho otherwise might not receive music royalties at all.<\/p>\n
Although that total is far less than the approximately
\n$1 billion in residuals that SAG-AFTRA distributes annually,
\nand is also less than the $90 million to $100 million in
\naudiovisual AFM residuals that are disbursed each year
\n(which are administered by yet another organization,
\nthe Film Musicians Secondary Markets Fund), the
\nchecks can be significant, ranging up to $1 million
\nin some cases, said fund executive director Dennis Dreith.<\/p>\n
\u201cWe do for non-featured performers what SoundExchange
\nand AARC do for featured performers,\u201d explained Dreith,
\nreferencing two other music royalty organizations. He
\nspoke to The Hollywood Reporter after conducting a
\nseminar Friday for about 100 people at the Expo.<\/p>\n
One recipient of a payment from the fund was so
\nunaccustomed to receiving royalties that she rang
\nup Dreith and asked if she was really allowed to
\ncash the check. He assured her that she was.<\/p>\n
Citing the case of a former Motown session bass
\nplayer who he said died impoverished after helping
\nchurn out hit after hit (\u201cYou Can’t Hurry Love\u201d by
\nThe Supremes, \u201cMy Girl\u201d by The Temptations, and
\ndozens more), Dreith added that the fund helps
\nensure that \u201cthere won\u2019t be another James Jamerson,\u201d
\nat least in the economic sense.<\/p>\n
Where the Money Comes From<\/p>\n
Unlike Expo organizer ASCAP, which collects and pays
\nroyalties to songwriters and composers, the joint union
\nfund is for performers. It was established in 1998, which
\nmay give a clue as to its initial scope: the royalties are
\ncollected from U.S. digital platforms, but not from U.S.
\nterrestrial (conventional) radio, as to which there is no
\nprovision in law for performance royalties. The Fair Play
\nFair Pay Act, which the fund and unions vigorously
\nsupport, would change that and require AM and FM
\nstations to pay such royalties, too.<\/p>\n
Those for-now digital royalties are paid to non-featured
\nvocalists and non-featured musicians regardless of their
\nunion membership or affiliations. The fund collects
\nforeign performance royalties for U.S. non-featured
\nperformers as well, but only for members of AFM and
\nSAG-AFTRA.<\/p>\n
That, anyway, is what the sound recording division of
\nthe fund does. Two more recent arms, the symphonic
\nroyalties and audiovisual divisions, represent evolutions
\nbeyond digital-only. The first focuses on royalties for
\nfeatured and non-featured performers in symphonic
\nsound recordings, including archival recordings
\nand radio broadcasts licensed for use on cable,
\nsatellite and digital media. And the audiovisual
\ndivision collects royalties \u2014 again, for featured
\nand non-featured singers and musicians \u2014 from
\nforeign territories for films and television programs
\ncontaining U.S. performers ,which have been
\nbroadcast on Spanish and German television, and
\nmotion pictures containing U.S. performers, which
\nhave been exhibited in cinemas in Spain.
\nThere is no word on whether that limited geographic
\nportfolio might expand.<\/p>\n
Like residuals, which inspired this reporter to prepare
\na colored chart that Backstage likened to \u201ca periodic
\ntable of elements on mushrooms,\u201d music royalties are
\ncomplex: a flowchart in the ninth edition of Harold
\nVogel\u2019s definitive Entertainment Industry Economics,
\nwhich features almost two-dozen circles, squares and
\nother shapes and a similar complement of connecting
\nlines, looks like an oil refinery diagram \u2014 except that
\nthe latter is easier to understand. Indeed, turning
\nbauxite into aluminum is apparently simpler than the
\nway money flows in the music business. But in one
\nsmall corner, at least, the AFM & SAG-AFTRA
\nfund has it covered.<\/p>\n
============================================<\/p>\n
II. ACADEMY OF SCORING ARTS:<\/p>\n
Scott Healy’s Ellington Group
\nWith Special Guest Brent Fischer!
\nSaturday, May 6th, 2017
\n10am – 12:30pm
\nE-Spot Lounge Above Vitello’s
\n4349 Tujunga Ave, Studio City, CA 91604<\/p>\n
You asked, we answered! We’ve enjoyed partnering
\nwith Scott Healy to bring you Ellington, the high level
\njazz study group.\u00a0Now, we’ve added even more value
\nto our session by adding a guest interview segment.
\nOur Saturday session will feature special guest\u00a0Brent
\nFischer. Brent is the son of the late, great composer
\nand pianist Clare Fischer, who was one of our most
\nprolific and innovative jazz composers and performers.
\nBrent is a fantastic composer and multi-instrumentalist
\nin his own right. While he collaborated frequently with
\nhis dad, he\u00a0also\u00a0developed his own unique musical
\nvoice as a composer and performer.<\/p>\n
We are now handling our ticketing through Eventbrite.
\nBe sure to get yours online! Ticket prices will be higher
\nat the door.<\/p>\n
Scott Healy will continue the exploration of harmonic
\nrhythm, focusing on how jazz players and composers
\nuse chord movement. This topic comprises much more
\nthan just cool chord substitution and complicated
\naltered harmony. Harmonic rhythm defines phrases,
\nform and pacing, and your heightened awareness of
\nthe flow of harmony will direct and focus the emotional
\ncontent of your writing. We will refer to examples from
\nEllington\/Strayhorn and Bob Brookmeyer.<\/p>\n
Then after a break we’ll introduce our special guest,
\nBrent Fischer. Brent will present some of Clare’s harmonic
\nand orchestration concepts, and talk about how he’s
\ncarrying on his dad’s legacy. This is deep stuff, so
\nbring your analog or digital notation aids and put
\non your thinking caps!\u00a0We will have a few\u00a0handouts,
\nand also\u00a0project\u00a0all of the scores and examples.
\nThey will also be available online for your laptops
\nor tablets.<\/p>\n
Please go to\u00a0http:\/\/ellingtonstudygroup.com
\nfor more details, and we’ll see you there.<\/p>\n
$15 pre-sale (deadline May 5), including light breakfast
\n$20 at the door<\/p>\n
=================================<\/p>\n
III. MEMBER COMMENTS<\/p>\n
Dear Editor,<\/p>\n
It is GREAT that there were so many sincere friends and
\ncolleagues of those honored able to attend the ceremony
\non Monday night!<\/p>\n
What is also telling is that the business of the Union was
\nof so little interest that they did not stick around for the
\nlast quarterly meeting in our historic Vine Street home.<\/p>\n
The disenfranchisement and manipulation of the
\nmembership should be obvious.<\/p>\n
No doubt the salaried leadership at 47 will be marching
\non May 1st with full pay…the rank and file are encouraged
\nto volunteer?\u00a0\u00a0The Union Officers, Directors and
\nemployees pick up a check every Friday. Do you?<\/p>\n
Longtime Member<\/p>\n
———-<\/p>\n
well – if they win (the lawsuit) it that would be great but
\nwhat’s the odds of us winning?<\/p>\n
=================================<\/p>\n
IV. EVENTS
\nDEAN AND RICHARD
\nare now at Culver City Elks the first \u2028Friday of \u2028every month.
\n7:30pm-10:30pm,
\n11160 Washington Pl.
\nCulver City, 90232
\n310-839-8891
\n————————————-
\nLA WINDS JAZZ KATS 584
\nNO COVER, NO MINIMUM.
\nEvery 2nd and 4th Tuesday of the month at
\nViva Cantina
\n7:30-10:00.
\n900 Riverside Drive, \u2028Burbank.<\/p>\n
Free parking across the street at Pickwick Bowl.
\nCome hear your favorite charts played the way
\nthey \u2028should \u2028be. \u2028\u2028We are in the back room called
\nthe Trailside Room. \u2028\u2028\u2028Come on down.<\/p>\n
Guaranteed to swing.<\/p>\n
————————————–<\/p>\n
5\/5\/17<\/p>\n
DOCTOR WU PERFORMANCE<\/p>\n
We’ll be doing one set starting promptly at 8:00 PM at the Saint
\nFrancis de Sales Festival on Friday, May 5th:<\/p>\n
Saint Francis de Sales School
\n13368 Valleyheart Drive
\nSherman Oaks, CA 91423<\/p>\n
The Doctor Wu Band line up for this show will be:<\/p>\n
Tony Egan: Lead Vocals
\nLeigh DeMarche: Vocals
\nJodi Fodor: Vocals
\nGil Ayan: Guitar
\nSteve Bias: Bass and Vocals
\nJeff Dellisanti: Saxophones
\nMark Harrison: Keyboards
\nPaul Salvo: Trumpet
\nFrank Villafranca: Saxophones
\nJack Cook: Drums<\/p>\n
Admission is free and\u00a0we look forward to seeing you there!
\nThe Doctor Wu Band
\nhttp:\/\/www.doctorwuband.com\/
\nhttps:\/\/www.facebook.com\/doctorwuband<\/p>\n
—————————————————————————–<\/p>\n
5\/6\/17<\/p>\n
KIM RICHMOND\/CLAY JENKINS<\/p>\n
HEY fellow L.A. Musicians,
\nThis is my second notice about this coming
\nSaturday.\u00a0My favorite jazz trumpet player will be
\nin town this next weekend: Clay Jenkins. We will
\nbe playing together at the Desert Rose. Clay
\ndoesn\u2019t make it to L.A. very often what with his
\nteaching position at Eastman School of Music
\nin New York, so you should try to catch us
\nthis weekend. Details below.<\/p>\n
WHAT: Clay Jenkins and Kim Richmond at the
\nDesert Rose, with the Mark Z. Stevens Trio
\nWHERE: Desert Rose Restaurant & Saturday jazz
\nvenue. 1700 N. Hillhurst Avenue, LOS FELIZ
\nVILLAGE, Los Angeles, CA 90027
\nWHEN: This coming Saturday, May 6, 7 to 11. 3 sets
\nWHO:\u00a0Clay Jenkins, trumpet;\u00a0Kim Richmond,
\nalto & soprano saxophones,\u00a0Mark Z. Stevens,
\ndrums; Lou Foresteri, keyboard; Harvey Newmark, bass.
\nPARKING: Valet parking available
\nFOOD: excellent cuisine
\nRESERVATIONS: Recommended\u00a0(323) 666-1166.
\nAsk for inside seating. That\u2019s where the band is.
\nif you\u2019re planning to join us, it\u2019s absolutely
\nnecessary to make an\u00a0“INSIDE SEATING RESERVATION\u201d
\nby the Wednesday or Thursday immediately
\nproceeding the event. \u00a0If you wait until the last minute,
\nthe room will probably be sold out. \u00a0If you make
\nyour reservation early in the week, you\u2019ll be in the
\nbest area to hear the jazz. \u00a0(If your plans change,
\nyou can always call and cancel.)<\/p>\n
Hope to see you there.
\nAll the best,
\nKIM R
\nMy website address is:
\nwww.kimrichmond.com<\/p>\n
—————————————————————————–<\/p>\n
5\/13\/17<\/p>\n
ASMAC presents<\/p>\n
A MASTER CLASS\u00a0WITH GEORGE S. CLINTON
\nMODERATED BY: \u00a0Sylvester Rivers
\nValley College – Music Building
\n5800 Fulton Ave., Valley Glen, CA
\nCorner of Fulton & Oxnard \u00a0\u2028\u2028Saturday, May 13, 2017
\n10:30 am – \u00a0CHECK-IN – Coffee\/Refreshments\u202811:00 am – 2:00 pm – Master Class<\/p>\n
\u201cScoring Comedies: Comedy is Serious Business
\n– The Scoring Art & Technique.\u201d<\/p>\n
Join us for an informative – and entertaining – Master Class.<\/p>\n
Mr. Clinton is an award winning composer who has
\nscored over 100 films, most notably \u201cAustin Powers
\nInternational Man of Mystery\u201d and it\u2019s blockbuster
\nsequels; \u00a0Disney\u2019s hit \u201cSanta Clause\u201d sequels;
\n\u201cMortal Kombat\u201d 1 & 2; \u00a0\u201cWild Things\u201d,\u00a0 \u201cRed Shoe
\nDiaries\u201d, \u00a0John Water\u2019s \u201cA Dirty Shame\u201d \u00a0and the
\nEmmy Award winning \u201cBury My Heart At Wounded Knee.\u201d<\/p>\n
He began his professional musical career as a
\nsinger\/songwriter\/arranger in Nashville while
\nearning degrees in music and drama. Upon
\nmoving to LA, he became a staff songwriter
\nfor Warner Brothers Music with songs recorded
\nby the likes of Michael Jackson and Joe Cocker
\nand continued working as a session musician
\nand arranger. It was the music from Clinton\u2019s
\nsolo album\u00a0 \u201cThe George Clinton Band Arrives\u201d
\nthat attracted the attention of Cheech and Chong,
\ngiving him the chance to score his first film \u201cStill Smokin\u201d.<\/p>\n
In addition, Mr. Clinton is an advisor at the
\nSundance Composers Lab, serves on the Music
\nExecutive Branch of The Academy of Motion
\nPicture Arts and Sciences (The Oscars), is on
\nthe boards of the Society of Composers and
\nLyricists and the Alliance for Women Film
\nComposers, is a member of ASMAC and the
\nTelevision Academy, and was Chair of Film
\nScoring at the Berklee College of Music 2012-2015.<\/p>\n
Awards include a Platinum record for his score
\nto Mortal Kombat, Grammy and Emmy nominations,
\nthe SCL Ambassador Award, the Spirit of Tennessee
\nAward, and nine BMI Film Music Awards, including
\ntheir highest honor, the BMI Icon Award.<\/p>\n
MODERATED BY: \u00a0SYLVESTER RIVERS
\nComposer, arranger and pianist Sylvester Rivers
\nhas recorded with numerous hit artists including
\nLionel Richie, Diana Ross, The Jacksons, Sammy
\nDavis Jr., Dionne Warwick, Nancy Wilson, Kenny
\nRogers, Johnny Mathis, Aretha Franklin, New
\nEdition, Smokey Robinson, The Temptations,
\nGladys Knight & The Pips, Barry White, Marc
\nBolan & T Rex, Ray Parker, Jr. & Raydio, Deniece
\nWilliams, The Fifth Dimension and many others.<\/p>\n
Rivers has composed, arranged and orchestrated
\nfor television and film\u00a0as well, such as the television
\nseries “Fame,”\u00a0songs for the Kevin Bacon\/Laurence
\nFishburne film “Quicksilver,” “Breakin’ 2: Electric
\nBoogaloo,” “The Arsenio Hall Show” and numerous
\nothers; and \u00a0has been prolific in producing music
\nthroughout a wide spectrum.<\/p>\n
Valley College – Music Building<\/p>\n
Sat., May 13, 2017
\n11:00 am – 2:00 pm
\n(Check-in & Refreshments – 10:30am )
\nFree parking in lot on corner of Fulton and Oxnard.
\nASMAC Members and Students – $25\u2028Non-Members –\u00a0$40<\/p>\n
—————————————————————————–<\/p>\n
5\/13\/17<\/p>\n
SAN FERNANDO VALLEY SYMPHONY<\/p>\n
Saturday, May 13th, 2017
\nAGOURA HILLS\/CALABASAS COMMUNITY CENTER
\n8:00 pm
\n27040 MALIBU HILLS RD
\nCALABASAS, CA
\nPrice: $25
\nSaint-Saens: Bacchanale from \u201cSamson and Delilah\u201d
\nTchaikovsky: Romeo and Juliet Fantasy-Overture
\nTWO PREMIERES!
\nTuttle: By Steam or By Dream Overture \u2028Inaugural Performance
\nEgizi: Orchestral Suite \u201cIn memoria di mio Padre”\u2028Inaugural Performance
\nTo purchase tickets for this concert, click\u00a0here.\u2028For information on the pre-concert dinner, click here.\u2028(Program subject to change<\/p>\n
—————————————————————————–<\/p>\n
5\/14\/17<\/p>\n
LOS ANGELES SYMPHONIC WINDS
\nSunday, May 14th, 2017 – 2:30 pm
\nCalabasas Performing Arts Education Center
\n22855 Mulholland Hwy, Calabasas, CA 91302<\/p>\n
Extraordinary Women \u2013 A Mother\u2019s Day Concert to Remember
\nThe LA Winds pay tribute to remarkable women who helped
\nshape the course of human history. Featured works will
\ninclude Giuseppi Verdi\u2019s stirring \u201cOverture to Joan of Arc\u201d,
\nMark Camphouse\u2019s powerful \u201cA Movement for Rosa\u201d,
\nand Eric Coates\u2019 regal \u201cThe Three Elizabeths\u201d.<\/p>\n
For tickets contact:
\nMary Gallegos at mgallegos2@aol.com<\/p>\n
—————————————————————————–<\/p>\n
5\/17\/7<\/p>\n
FREE ADMISSION GLENDALE NOON CONCERTS<\/p>\n
On Wednesday\u00a0 May 17, 2017 at 12:10-12:40 pm
\nthe Free Admission Glendale Noon Concerts will feature
\nthe Calico Winds performing duos and trios by
\nHeitor Villa-Lobos, Malcolm Arnolf and Joseph Canteloube
\nat the Sanctuary of Glendale City Church,
\n610 E. California Ave. (at Isabel St), Glendale, CA 91206.
\nFor more information, email glendalesda@gmail.com
\nor call (818) 244- 7241.<\/p>\n
HEITOR VILLA-LOBOS Bachianas Brasileiras No. 6 for Flute & Bassoon
\nMALCOLM ARNOLD Divertimento for Flute, Oboe and Clarinet
\nJOSEPH CANTELOUBE Rustiques for Oboe, Clarinet and Bassoon
\nTheresa Treuenfels (bassoon)
\nRachel Berry (horn)
\nTed Sugata ( oboe)
\nKathryn Nevin (clarinet)
\nEileen Holt (flute)<\/p>\n
—————————————————————————–<\/p>\n
5\/20-21\/17<\/p>\n
CENTER STAGE OPERA PRESENTS
\nThe Best of Broadway Volume III
\nPerforming Arts Center (on the campus of Reseda High School)
\nReseda, CA<\/p>\n
May 20th – 7:30 PM
\nMay 21st – 3:00 PM<\/p>\n
Music from
\nCamelot, Cabaret, Guys and Dolls, A Chorus Line,
\nSnoopy the Musical, Company, Sweet Smell of success,
\nMiss Saigon, Woman of the Year, Avenue Q, The Wiz, 70 Girls 70
\nand Annie<\/p>\n
Featuring
\nNick Navarra
\nStephanie Fredericks
\nKate Bass
\nDylan F. Thomas<\/p>\n
—————————————————————————–<\/p>\n
5\/21\/17<\/p>\n
SONG OF THE ANGELS FLUTE ORCHESTRA
\nFounder, Frederick Staff
\nMusic Director, Charles Fernandez<\/p>\n
JAZZY FLUTES!<\/p>\n
Sunday, May 21st 7pm at the
\nFirst Lutheran Church in Torrance<\/p>\n
Guest artists
\nAli Ryerson
\nDavid Shostac
\nFred Seldon
\nand Billy Kerr<\/p>\n
for tickets go here:
\nhttp:\/\/www.soafluteorchestra.com\/tickets\/<\/p>\n
—————————————————————————–<\/p>\n
5\/27\/17
\nCULVER CITY CHAMBER ORCHESTRA
\nMusic Director\/Conductor Arlene Cardenes
\nSaturday May 27th, 5:00PM
\nA Culver City Centennial Celebration
\nThis performance will feature a new
\nfanfare by Cary Belling.
\nAlso
\nAndres Cardenes, Violinist and COnductor
\nTurning Point School Auditorium\u20288780 National Blvd.\u00a0\u2028Culver City, CA 90232
\nClick here for ticket information<\/p>\n
—————————————————————————–<\/p>\n
7\/11-14\/17<\/p>\n
SANTA BARBARA JAZZ WORKSHOP<\/p>\n
The LA Jazz Society is proud to partner with Kim Richmond
\nand Kimberly Ford in presenting the Santa Barbara Jazz
\nWorkshop,\u00a0July 11-14, from Tuesday afternoon to Friday night.<\/p>\n
A faculty of Jazz professionals teach instrumental\/vocal master
\nclasses, improvisation, Jazz Listening (How to listen, and who to
\nlisten to.), modern Jazz combo and Big Band playing with concerts
\neach late afternoon (open to the public) where advanced students sit in<\/p>\n
For more information, visit\u00a0www.santabarbarajazzcamp.com.<\/p>\n
Presented by Kim Richmond and Kimberly Ford
\nat the Marjorie Luke Theater and SOHO Jazz Club.<\/p>\n
You can read all previous offerings at:
\nhttp:\/\/www.responsible47.com<\/p>\n
—————————————-
\nUNTIL NEXT TIME,\u2028\u2028THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"
5\/4\/17 I. AFM & SAG-AFTRA Fund\u2028II. ACADEMY OF SCORING ARTS II. ACADEMY OF SCORING ARTS EVENT III. MEMBER COMMENTS V. EVENTS …Absolutely guaranteed anonymity – Former Musician’s Union officer …The one voice of reason in a sea of insanity – Nashville ‘first call’\u2028scoring musician …Allows us to speak our minds without fear of reprisal […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-395","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=395"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/395\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=395"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}