{"id":289,"date":"2016-10-01T22:40:47","date_gmt":"2016-10-02T05:40:47","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=289"},"modified":"2016-10-01T22:43:06","modified_gmt":"2016-10-02T05:43:06","slug":"executive-session-events","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=289","title":{"rendered":"EXECUTIVE SESSION \/ EVENTS"},"content":{"rendered":"<p>10\/1\/16<br \/>\nI. WHAT IS EXECUTIVE SESSION?<\/p>\n<p>II. EVENTS<\/p>\n<p>&nbsp;<\/p>\n<p>&#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer<\/p>\n<p>&#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician<\/p>\n<p>&#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician<\/p>\n<p>&#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention &#8211; National touring musician<br \/>\n===========================================<\/p>\n<p>&nbsp;<\/p>\n<p>I. WHAT IS EXECUTIVE SESSION?<\/p>\n<p>No information has been forthcoming from the board concerning<br \/>\nthe building sale. Last we heard, the building had fallen out of escrow<br \/>\nnot once, but twice.<\/p>\n<p>A member who attends the board meetings has found that the building<br \/>\nhas only been discussed in executive session. When asked about the<br \/>\nbuilding or the status of the sale, the standard answer now is &#8220;We cannot<br \/>\ndiscuss anything that happens in executive session&#8221;.<\/p>\n<p>So the question arises, is the board using executive session as<\/p>\n<p>an excuse to keep the membership that cares in the dark?<\/p>\n<p>Perhaps the use of executive session for the building discussion<\/p>\n<p>is legit,&#8230;.<\/p>\n<p>&#8220;An executive session is a term for any block within an otherwise open meeting (often of a board of directors) in which minutes are taken separately, outsiders are not present, and the contents of the discussion are treated as confidential (see in camera).[7]<\/p>\n<p>In a deliberative assembly, an executive session has come to mean that the proceedings are secret and members could be punished for violating the secrecy.[8] The business that is conducted in executive session could include legal issues, formation of contracts, disciplinary<br \/>\nhearings, or personnel issues.&#8221;<\/p>\n<p>So can the local choose to discuss the building only in executive session? Certainly. Is it of such a sensitive nature that it MUST be discussed in executive session and the membership be kept in the<\/p>\n<p>dark? Not in all cases.<\/p>\n<p>However, since the membership has shown again and again that<\/p>\n<p>they simply don&#8217;t care, or don&#8217;t care enough to speak of it in public<\/p>\n<p>for fear of some imaginary blacklisting, (The work is gone for<\/p>\n<p>most, what&#8217;s to blacklist?)<\/p>\n<p>&nbsp;<\/p>\n<p>Perhaps it doesn&#8217;t really matter.<\/p>\n<p>&nbsp;<\/p>\n<p>=========================<\/p>\n<p>&nbsp;<\/p>\n<p>II. EVENTS<\/p>\n<p>DEAN AND RICHARD\u2028\u2028DEAN AND RICHARD<\/p>\n<p>are now at Culver City Elks the first \u2028Friday of<\/p>\n<p>every month.<\/p>\n<p>7:30pm-10;30pm,<\/p>\n<p>11160 Washington Pl. \u2028Culver City, 90232<\/p>\n<p>310-839-8891<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>LA WINDS JAZZ KATS 584\u2028\u2028NO COVER, NO MINIMUM.<\/p>\n<p>Every 2nd and 4th Tuesday of the month at Viva Cantina\u2028 7:30-10:00.<\/p>\n<p>900 Riverside Drive, Burbank.<\/p>\n<p>&nbsp;<\/p>\n<p>Free parking across the street at Pickwick Bowl. \u2028Come hear your favorite charts played the way they \u2028should be. \u2028\u2028We are in the<\/p>\n<p>back room called the Trailside Room.<\/p>\n<p>Come on down. Guaranteed to swing.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>10\/2\/16<\/p>\n<p>DON&#8217;T MISS THE<br \/>\nTHE PHIL NORMAN TENTET<br \/>\nPERFORMANCE OF<br \/>\n&#8220;THEN &amp; NOW&#8221;<\/p>\n<p>Sunday, October 2nd<br \/>\n7:30 pm (doors open @ 6:00 pm)<br \/>\nCatalina Jazz Club<br \/>\n6725 Sunset Boulevard<br \/>\nHollywood, California 90028<br \/>\nReservations\u00a0call 323-466-2210<\/p>\n<p>Click this link to make a reservation online: Catalina Bar &amp; Grill<\/p>\n<p>Remembering the classic sounds &amp; variations of<br \/>\n12 jazz legends to include:<\/p>\n<p>The George Shearing Quintet<br \/>\nThe Dave Brubeck Quartet<br \/>\nThe Modern Jazz Quartet<br \/>\nThe Cal Tjader Quintet<br \/>\nthe Ahmad Jamal Trio<br \/>\nMiles, Dizzy and more<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>10\/5\/16<\/p>\n<p>FREE ADMISSION GLENDALE NOON CONCERTS<\/p>\n<p>On Wednesday October 5, 2016 at 12:10-12:40 pm<br \/>\nthe Free Admission Glendale Noon Concerts will feature<br \/>\nViolinist Elbert Tsai and<br \/>\nPianist Jennie Jung<\/p>\n<p>in a program, \u201cThe Performer as Composer as Transcriber,\u201d<br \/>\nfeaturing works by Mozart, Kreisler and Mason Bates<br \/>\nat the Sanctuary of Glendale City Church,<br \/>\n610 E. California Ave. (at Isabel St), Glendale, CA 91206.<br \/>\nFor more information, email glendalesda@gmail.com<br \/>\nor call (818) 244- 7241.<\/p>\n<p>Elbert Tsai leads a multifaceted career as virtuoso violinist,<\/p>\n<p>sought-after pedagogue, and orchestral musician.\u00a0As a soloist,<\/p>\n<p>one of his musical missions is to revive the art of the virtuoso<\/p>\n<p>violin recital,\u00a0which celebrates the short showpieces and gems<\/p>\n<p>of the instrument\u2019s 450-year musical history. Since 2007, he<\/p>\n<p>has performed with the San Francisco Ballet orchestra and<\/p>\n<p>San Francisco Symphony, touring with the symphony domestically<\/p>\n<p>and to Europe and Asia.<\/p>\n<p>&nbsp;<\/p>\n<p>Elbert has taught violin and chamber music at Center Stage Strings,<\/p>\n<p>the Luzerne Music Center, San Francisco Conservatory of Music,<\/p>\n<p>SFCM Pre-College Division, and the Crowden School. He holds<\/p>\n<p>degrees from University of Southern California, Rice University,<\/p>\n<p>and Oberlin College.<\/p>\n<p>Jennie Jung\u00a0made her debut with the Pittsburgh Symphony<\/p>\n<p>Orchestra at the age of eleven and has since been active as both<\/p>\n<p>a soloist and collaborator in North America. Dr. Jung has<\/p>\n<p>performed with the Republic of Tatarstan Symphony, Korean Philharmonic, Taejon Symphony, Korean-Canadian, University<\/p>\n<p>of Toronto, Hart House, and Cathedral Bluffs Symphony Orchestras. She has attended festivals including the Taubman Institute of Piano,<\/p>\n<p>the Banff Centre for the Arts, and the Music Academy of the West, Santa Barbara. As a collaborative pianist, Dr. Jung has performed<\/p>\n<p>in North America, Asia, Africa, and Europe, and has been on staff<\/p>\n<p>at the Mozarteum in Salzburg, Austria, Aspen Summer Music<\/p>\n<p>Festival, Gregor Piatigorsky Seminar for Cellists, and the Banff<\/p>\n<p>Centre for the Arts. Dr. Jung has participated in master classes<\/p>\n<p>and studied with artists such as Dalton Baldwin, Anne Epperson,<\/p>\n<p>Peter Frankl, Margo Garrett, Martin Katz, Anton Kuerti, Robert MacDonald, Karl Ulrich-Schnabel, and Arie Vardi.<br \/>\nDr. Jung is a member of the Jung Trio with her sisters Ellen (violin)<\/p>\n<p>and Julie (cello). The Jung Trio was the Grand Prize winner at the<\/p>\n<p>2002 Yellow Springs Chamber Music Competition and was awarded<\/p>\n<p>the Bronze Medal at the 2002 Fischoff Chamber Music Competition.<\/p>\n<p>The Trio has attended numerous festivals and workshops, including<\/p>\n<p>the Great Lakes Chamber Music Festival, Norfolk Chamber Music Festival, the Orford Arts Centre Festival, and the Banff Centre for<\/p>\n<p>the Arts. Past performances include recitals in Korea, Los Angeles,<\/p>\n<p>New York, Philadelphia, Chicago, and Toronto, and a concert tour of Kenya and Mauritius as representatives of the Korean Kumho<\/p>\n<p>Cultural Foundation. The Jung Trio has performed Beethoven&#8217;s<\/p>\n<p>Triple Concerto with orchestras in Russia, Korea, Toronto, and<\/p>\n<p>Los Angeles. Their recording of Dvo\u0159\u00e1k\u2019s Piano Trio in F Minor<\/p>\n<p>was recently released by the Groovenote Label on LP and SACD.<\/p>\n<p>&nbsp;<\/p>\n<p>In 2009, the Trio made its European debut in Berlin, Germany,<\/p>\n<p>and at the Mozarteum in Salzburg, Austria. In October, 2009, the<\/p>\n<p>Trio presented its second benefit concert for the Susan G. Komen<\/p>\n<p>for the Cure, and in March, 2010, organized Promise for Haiti, a<\/p>\n<p>concert raising funds for Promise Child and its Haiti mission.<br \/>\nDr. Jung has received degrees from the University of Toronto, Yale University, and The Juilliard School. She maintains a private piano studio and is on faculty at the Claremont Graduate University,<\/p>\n<p>Pomona College, and the Colburn Community School of Performing Arts.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>10\/19\/16<\/p>\n<p>San Fernando Valley Symphony Orchestra \u2028\u00a0\u2028Nov. 19, 2016 \u2013<\/p>\n<p>Agoura Hills\/Calabasas Community Center<\/p>\n<p>&nbsp;<\/p>\n<p>Bizet: Carmen Suite #1\u2028Bizet: Symphony in C major<\/p>\n<p>Fernandez: Oboe Concerto\u2028, Francisco Castillo, oboist<\/p>\n<p>Sibelius: Violin Concerto in D minor, 1st mvt.<\/p>\n<p>Thompson Wang, violinist<\/p>\n<p>Contact: Roberta Hoffman, publicist (ladybirdysue@aol.com)\u2028www.sfvsymphony.com\u2028\u00a0\u2028Program information:<\/p>\n<p>&nbsp;<\/p>\n<p>++++++++++++++++++++++++++++<\/p>\n<p>Other concerts in the series<\/p>\n<p>&nbsp;<\/p>\n<p>Jan. 21, 2017 \u2013 Tutor Family Center at Chaminade West Hills<\/p>\n<p>Schumann: Manfred Overture<\/p>\n<p>Mendelssohn: Symphony #3 in A minor (Scottish)<\/p>\n<p>Belling: Music Madly Makes the World Go Round<\/p>\n<p>Inaugural Performance<\/p>\n<p>Cary Belling, violinist<\/p>\n<p>&nbsp;<\/p>\n<p>Mar. 18, 2017 \u2013 Agoura Hills\/Calabasas Community Center<\/p>\n<p>Tuttle: By Steam or By Dream Overture<\/p>\n<p>Inaugural Performance<\/p>\n<p>Prokofiev: Symphony #1 in D major (Classical)<\/p>\n<p>Ben-Haim: Pastorale Vari\u00e9e for Clarinet, Harp and Strings<\/p>\n<p>Geoff Nudell, clarinetist<\/p>\n<p>Beethoven: Romance for Violin and Orchestra<\/p>\n<p>Domine: Frankenstein Fantasy\u2028 &#8211; Ruth Bruegger, violinist<\/p>\n<p>&nbsp;<\/p>\n<p>May 13, 2017 \u2013 Agoura Hills\/Calabasas Community Center<\/p>\n<p>Saint-Saens: Bacchanale from \u201cSamson and Delilah&#8221;<\/p>\n<p>Tchaikovsky:\u00a0Orchestral Suite No. 2 in C major<\/p>\n<p>Egizi: Orchestral Suite \u201cIn Memoria di Mio Padre&#8221;<\/p>\n<p>Inaugural Performance<\/p>\n<p>Programs subject to change<br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>You can read all previous offerings at:<\/p>\n<p>http:\/\/www.responsible47.com<\/p>\n<p>&nbsp;<\/p>\n<p>UNTIL NEXT TIME,<\/p>\n<p>THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"<p>10\/1\/16 I. WHAT IS EXECUTIVE SESSION? II. EVENTS &nbsp; &#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer &#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;\u2028scoring musician &#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician &#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-289","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=289"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/289\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=289"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}