{"id":272,"date":"2016-08-26T01:32:40","date_gmt":"2016-08-26T08:32:40","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=272"},"modified":"2016-08-26T01:32:40","modified_gmt":"2016-08-26T08:32:40","slug":"rma-letter-committee-response-events","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=272","title":{"rendered":"RMA LETTER \/ COMMITTEE RESPONSE \/EVENTS"},"content":{"rendered":"<p>8\/26\/16<\/p>\n<p>I. A LETTER FROM THE RMA<br \/>\nII. FROM THE COMMITTEE<br \/>\nIII. EVENTS<\/p>\n<p>&#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer<br \/>\n&#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217;<br \/>\nscoring musician<br \/>\n&#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician<br \/>\n&#8230;Reporting issues the Musicians Union doesn&#8217;t dare to mention &#8211; National touring musician<\/p>\n<p>==================================<\/p>\n<p>I. A LETTER FROM THE RMA<\/p>\n<p>The RMA wants you do join&#8230;<\/p>\n<p>Dear Musicians,<br \/>\n\u00a0<br \/>\nFor generations, musicians of every type, players, copyists, orchestrators<br \/>\nand conductors have been drawn to Los Angeles because of our diverse<br \/>\nand dynamic recording industry. More than anyplace else in the world,<br \/>\nLos Angeles has been the direct beneficiary of this incredible pool of talent.\u00a0<\/p>\n<p>We are the Recording Musicians Association of Los Angeles. We provide<br \/>\nleadership, research, outreach and resources for the Sound Recording,<br \/>\nLive TV\/ Videotape, Commercials and Motion Picture and TV negotiations.<br \/>\nWe represent you in legislative efforts to protect employment. We have<br \/>\nbeen in the forefront of building bridges to protect our intellectual<br \/>\nproperty rights. And we are your voice with the American Federation of<br \/>\nMusicians. Your generous support ensures that we have the ability to<br \/>\nrepresent ALL of our members.<\/p>\n<p>This year, we are proud to report several crucial developments in<br \/>\nour business&#8230;.<\/p>\n<p>RMA played a key role in helping build a new relationship with Sony<br \/>\nPlaystation, leading to a groundbreaking live stream with full<br \/>\norchestra and live gameplay at E3<\/p>\n<p>RMA continues to be at the table in major media negotiations &#8211;<br \/>\nSRLA with major record labels, and Videotape with the TV<br \/>\nNetworks, and Film\/Television with the AMPTP<\/p>\n<p>RMALA is front and center with the Alliance of Women Composers,<br \/>\nBeyond the Red Carpet, Made in Hollywood TV, Made in Hollywood<br \/>\nFilm, and more<\/p>\n<p>Plus, the new AFM went to bat for RMA &#8211; unanimous defeat for<br \/>\nthe anti-RMA Resolution 4 at the AFM Convention.<\/p>\n<p>We are currently kicking off our annual membership drive. Soon,<br \/>\ncurrent RMALA members will be receiving a membership renewal<br \/>\npacket in the mail.\u00a0 Your donation will help us to continue to<br \/>\nprotect and advocate for recording musicians as well as update<br \/>\nour website and app.\u00a0 You\u2019ll be able to update your information<br \/>\nand get instructions for downloading the directory app to your<br \/>\nmobile device. You can also renew anytime by going to\u00a0rmala.org\u00a0<br \/>\nand clicking the Join\/Renew tab or by calling our office at\u00a0<br \/>\n(323) 462-4762\u00a0to pay with a credit card over the phone.\u00a0<\/p>\n<p>If you are not a current RMALA member but do any recording<br \/>\nwork at all in Los Angeles, we strongly encourage you to join us.<br \/>\nYour voice and participation are crucial in our constant battle<br \/>\nfor a vibrant and healthy recording industry. If you have any<br \/>\nquestions or want to find out more about RMALA please call<br \/>\n our office at\u00a0(323) 462-4762\u00a0or go to our website,\u00a0rmala.org\u00a0<br \/>\nand click on the contact tab for the emails of our board members.\u00a0<\/p>\n<p>Kind Regards,<\/p>\n<p>====================================<\/p>\n<p>II. FROM THE COMMITTEE<\/p>\n<p>The above comes from the group more responsible than any other<br \/>\n(Along with the acquiescent, spineless AFM and Local 47) for the<br \/>\nstaggering loss of work in Los Angeles and Federation wide. There<br \/>\nisn&#8217;t even enough work for the few elites left, but they still try to<br \/>\nplay the other musicians as fools.<\/p>\n<p>And what does &#8220;front and center&#8221; mean, does it mean that they<br \/>\nmade sure they were the ones to play it? Ten years ago they&#8217;d<br \/>\nnot consider doing live gigs, now they take all they can find,<br \/>\nsince the recording work is a shadow of it&#8217;s former self.<\/p>\n<p>AS TO PROPOSITION 4<\/p>\n<p>As to the Proposition 4: It was most certainly anti-RMA, but<br \/>\nit was also pro rank and file AFM Member (Pro-everyone else).<br \/>\nThe ones who might get to work on union recording contracts<br \/>\nif there were a buyout.<\/p>\n<p>In the explanation of the resolution printed some time ago,<br \/>\nit was made clear that no one expected the big budget<br \/>\nmovies to go buyout, and as long as there were studio<br \/>\nsignatories, that is.<\/p>\n<p>What losses have been caused by the spineless AFM and<br \/>\ncomplicit Local 47 administrations past and present?<\/p>\n<p>Ask any musician and you&#8217;ll find out. It was the AFM&#8217;s lack<br \/>\nof forethought that lead directly to Seattle, to Nashville,<br \/>\nto Vancouver among others, not including all the fi-core<br \/>\nand non-union orchestras that have been formed.<br \/>\nThese locales and countless others in the federation don&#8217;t<br \/>\ncare about staying loyal to an organization that works only<br \/>\nto protect a minute monopoly in Los Angeles, while everyone<br \/>\nhas bills to pay.<\/p>\n<p>What is it that gets the IEB and AFM to totally ignore the<br \/>\nneeds of the other 99.8% of members for the pocketbooks of<br \/>\na few recording musicians as to recording options?<\/p>\n<p>Imagine for a moment: <\/p>\n<p>There is a well paid buyout option for every project other than<br \/>\nbig budget films.<\/p>\n<p>Imagine the dues, pension and health and welfare that could<br \/>\nhave been collected by the AFM over the last decade if there<br \/>\nhad been even a few officers with the cajones to confront the<br \/>\nrecording leadership on behalf of the rank and file.<\/p>\n<p>There have, however, been none. None that lasted in any case.<br \/>\nAt local 47, whenever anyone made their way onto the Local 47<br \/>\nboard who was not &#8220;in the club&#8221;, their removal was arranged<br \/>\nthe very next election.<\/p>\n<p>Anyone who in the past has stood up to the club have found<br \/>\nthemselves marginalized, their careers affected as much as<br \/>\nthey could be. Bogus charges filed against folks who dared<br \/>\nspeak up for the multitude of members too cowed to speak<br \/>\nfor themselves. They do nothing, keep their heads down,<br \/>\nimagining that if they stay silent some work might<br \/>\ncome their way, which we all know never will &#8211; it isn&#8217;t there.<\/p>\n<p>Imagine the monies brought in by those recording jobs that<br \/>\ncould have eliminated the selling of the Local 47 building<br \/>\nin Hollywood.<\/p>\n<p>Revenues and membership at Local 47 are down, income for<br \/>\nthe AFM has been reduced. The lack of revenue has put our<br \/>\nPension plan into critical condition. The loss of recording<br \/>\nrevenue has been a huge burden on the federation, yet<br \/>\nthe IEB and the Officers do nothing to turn the situation<br \/>\naround. Nada. Zip.<\/p>\n<p>In the end analysis the question must be asked.<br \/>\nWho is the IEB putting first? The future of the AFM<br \/>\nor the desires and demands of the RMA. And why.<\/p>\n<p>There is no doubt about the RMA leadership. They most<br \/>\ncertainly put the needs and desires of their little cadre first,<br \/>\nahead of the AFM rank and file certainly.<\/p>\n<p>We keep losing members because the AFM has<br \/>\nbecome a dunsel for most. All they guarantee at<br \/>\nthis point is that you have to look over you shoulder<br \/>\nwhen you do finally get some work, because if it&#8217;s<br \/>\nnot the RMA doing it it&#8217;s not supposed to exist.<\/p>\n<p>If there were any forward thinking leaders among<br \/>\nthe recording musicians they&#8217;d have seen the damage<br \/>\ndone by their organization&#8217;s actions and practices<br \/>\nand realized something needs to change if a healthy<br \/>\nrecording community is to ever return. Unfortunately,<br \/>\nfor a very, very few highly placed long standing RMA<br \/>\nleaders, nothing matters except the size of their<br \/>\njuly check, regardless of the damage done to the<br \/>\nLocal, the Federation or the tens of thousands of<br \/>\ntheir fellow AFM Members.<\/p>\n<p>It makes one hope that there really is karma<br \/>\nout there. We&#8217;re not holding our breath though.<\/p>\n<p>THE COMMITTEE<br \/>\n<!--more--><br \/>\n========================<\/p>\n<p>III. EVENTS<\/p>\n<p>DEAN AND RICHARD<\/p>\n<p>DEAN AND RICHARD are now at Culver City Elks the first<br \/>\nFriday of every month.<br \/>\n7:30pm-10;30pm,<br \/>\n11160 Washington Pl.<br \/>\nCulver City, 90232<br \/>\n310-839-8891<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>LA WINDS JAZZ KATS 584<\/p>\n<p>NO COVER, NO MINIMUM.<br \/>\nEvery 2nd and 4th Tuesday of the month at Viva Cantina<br \/>\n7:30-10:00.<br \/>\n900 Riverside Drive, Burbank.<\/p>\n<p>Free parking across the street at Pickwick Bowl.<br \/>\nCome hear your favorite charts played the way they<br \/>\nshould be. <\/p>\n<p>We are in the back room called the Trailside Room. <\/p>\n<p>Come on down. Guaranteed to swing.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>8\/28\/16<\/p>\n<p>RESERVE YOUR SEATS NOW!\u00a0 \u00a0<br \/>\nAUGUST 25th &#8211; 28th AT 7:30 PM\u00a0<br \/>\nMALIBU COAST MUSIC<br \/>\nFESTIVAL 2016<\/p>\n<p>Three Evenings of World Class Music Making<br \/>\nEach Concert Featuring<br \/>\nUnique Programming &#038; Artists<br \/>\nCOME TO ONE, OR COME TO ALL!<br \/>\nwww.malibufriendsofmusic.org\u00a0<br \/>\n(310) 589-0295<\/p>\n<p>Thursday, August 25th at 7:30 pm<br \/>\nMALIBU PERFORMING ARTS CENTER<br \/>\nat the Malibu Jewish Center and Synagogue<br \/>\nA MALIBU MUSICAL SOIREE<\/p>\n<p>Saturday, August 27th at 7:30 pm<br \/>\nMONTGOMERY ARTS HOUSE FOR<br \/>\nMUSIC AND ARCHITECTURE<br \/>\nGreat Room<br \/>\nCHAMPAGNE GALA CONCERT EVENT<\/p>\n<p>Sunday, August 28th at 7:30 pm<br \/>\nMONTGOMERY ARTS HOUSE FOR<br \/>\nMUSIC AND ARCHITECTURE<br \/>\nGreat Room<br \/>\nFANTASTIC FESTIVAL FINALE<\/p>\n<p>Intimate Musical Soirees with\u00a0<br \/>\nOld World Hospitality and Charm<br \/>\nPresenting Extraordinary Concert Artists<br \/>\nand Distinguished Speakers<\/p>\n<p>Tickets and reservations are available at \u00a0<br \/>\nwww.malibufriendsofmusic.org\u00a0<br \/>\nor call: (310) 589-0295<br \/>\n\u00a0<br \/>\nFeaturing Festival Artists from<br \/>\nAcross the Nation and the World<br \/>\nPerforming Exceptional Works of<br \/>\nJohannes Brahms, John Corigliano<br \/>\nW.A. Mozart, Gaspar Cassado<br \/>\nScott Joplin, Mili Balakirev<br \/>\nand Maria Newman<\/p>\n<p>MCMF 2016 Festival Artists:<br \/>\nMiko Kominami, pianist<br \/>\nEric Kutz, cellist<br \/>\nHal Ott, flutist<br \/>\nChristina Borgioli, soprano<br \/>\nDiana Tash, mezzo soprano<br \/>\nNandani Maria Sinha, mezzo soprano<br \/>\nMatthew Lewis, bass<br \/>\nWendy Prober, pianist<br \/>\nMaria Newman, violinist and composer<br \/>\nScott Hosfeld, violist<br \/>\nPaula Hochhalter, cellist<\/p>\n<p>MASTERS OF CEREMONIES:<br \/>\nIsabella Thatcher<br \/>\nMartha Thatcher\u00a0<br \/>\n\u00a0<br \/>\nFor more information on the<br \/>\nMalibu Friends of Music<br \/>\nplease visit: www.malibufriendsofmusic.org<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>8\/27\/16<\/p>\n<p>EDENDALE ENSEMBLE plays MOZART &#038; BRAHMS<br \/>\nat the EDENDALE UP CLOSE Concert Series<br \/>\nat the Edendale Branch Library\u00a0<br \/>\nin Echo Park.<\/p>\n<p>2011 W. Sunset Blvd.<br \/>\nLos Angeles, CA 90026<br \/>\ninfo (213) 207-3000<br \/>\nFREE ADMISSION<br \/>\nConcert in the Community Room<br \/>\nFree parking in the library lot (enter from Alvarado).<\/p>\n<p>Saturday AUGUST  27, 2016<br \/>\nTime: Noon to 1 p.m.<\/p>\n<p>EDENDALE ENSEMBLE:\u2028<br \/>\nMOZART\u00a0Duo for \u00a0Violin &#038; Viola in G major, K.423<br \/>\nMOZART\u00a0Adagio &#038; Fugue \u00a0in c minor for string quartet, K.546<br \/>\nBRAHMS\u00a0String Quartet No.3 in B flat major, Op.67<\/p>\n<p>EDENDALE ENSEMBLE<br \/>\nJacqueline Suzuki &#8211; violin<br \/>\nAdriana Zoppo &#8211; violin, viola<br \/>\nLynn Grants &#8211; viola<br \/>\nPam de Almeida &#8211; cello<\/p>\n<p>Future concerts in this free series\u00a0<br \/>\nat the Edendale \u00a0Branch Library,\u00a0<br \/>\nand more free concerts:<br \/>\nhttp:\/\/edendaleupclose.blogspot.com<\/p>\n<p>Thank you for publicizing these concerts!<br \/>\nJacqueline Suzuki<br \/>\nCurator\u00a0<br \/>\n818 249 5108<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>8\/29\/16<\/p>\n<p>Psych! The Unexpected Big Band at Typhoon Santa Monica with legendary guest artists vocalist Barbara Morrison and guitar great Carl Verheyen!<br \/>\nMonday, August 29 8 PM\u20283221 Donald Douglas Loop S\u20282nd Floor\u2028Santa Monica, 90405\u2028www.Typhoon.biz<br \/>\n\u2022 Cover $15, No Minimums, Free Parking, Great Food, Amazing Fun!\u2028\u2022 See our demo at: www.PsychBigBand.com\u2028\u2022 \u201cLike\u201d us: www.facebook.com\/PsychBigBand\u2028\u2022 If having dinner, please reserve a table! 310.390-6565 (tell them you are there to hear Psych!)<br \/>\n&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>8\/31\/16<\/p>\n<p>&#8220;CONCERTS AT THE BOWL&#8221;<\/p>\n<p>The Corbin Bowl and<br \/>\nSan Fernando Valley Symphony Orchestra<br \/>\nPresent<br \/>\nConcerts at the &#8220;Bowl&#8221; in the &#8220;Corbin Lounge&#8221;<br \/>\nWednesday Evenings at 7:30 pm<\/p>\n<p>\u00a0 \u00a0 \u00a0 \u00a0<br \/>\nAugust 31<\/p>\n<p>The Screaming Clams &#8211; Part II<br \/>\nRock &#8216;n&#8217; Roll with music of the &#8217;60s and\u00a0early\u00a0&#8217;70s, featuring<br \/>\nJimi Dee, lead quitar and vocals;<br \/>\nJoel Domine, keys and guitar;<br \/>\nLarry Muradian, bass;<br \/>\nNick Scarmack, drummer<br \/>\nand<br \/>\nRebecca Ray, vocalist extraordinaire<\/p>\n<p>&#8220;Lounge&#8221; at the Corbin Bowl\u00a0<br \/>\n19616 Ventura Boulevard, Tarzana<\/p>\n<p>Free Admission\/ONE Drink Minimum<br \/>\nPersons under 21 years of age not admitted<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>9\/10\/16<\/p>\n<p>SFV Symphony Orchestra<br \/>\n\u00a0<br \/>\nWho: \u00a0 \u00a0The San Fernando Valley Symphony Orchestra directed by Maestro James Domine<br \/>\nWhat: \u00a0 Announces its five-concert 2016-2017 Concert Season<br \/>\nWhere: Agoura Hills\/Calabasas Community Center &#038;Tutor Family Center at Chaminade West Hills<br \/>\nWhen: \u00a0Sept. 10, 2016, Nov.19, 2016, Jan. 21,2017, Mar. 18, 2017 &#038; May 13, 2017.<br \/>\nWhy: \u00a0 \u00a0Continuing a decades-long tradition of performing great music close to home.<br \/>\n\u00a0<br \/>\nContact: Roberta Hoffman, publicist (ladybirdysue@aol.com)<br \/>\nwww.sfvsymphony.com<br \/>\n\u00a0<br \/>\nProgram information:<br \/>\n\u00a0<br \/>\nSept. 10, 2016 \u2013 Tutor Family Center at Chaminade West Hills<br \/>\nStrauss: An der Sch\u00f6nen Blauen Donau<br \/>\nBeethoven: Symphony #7 in A major<br \/>\nDvorak: Cello Concerto<br \/>\nDaniel Grab, violoncellist<br \/>\nSarasate: Zigeunerweisen<br \/>\nBronte Vlashi, violinist\u00a0<\/p>\n<p>================================<\/p>\n<p>You can read all previous offerings at:http:\/\/www.responsible47.com<\/p>\n<p>UNTIL NEXT TIME,<br \/>\nTHE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n<p>\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>8\/26\/16 I. A LETTER FROM THE RMA II. FROM THE COMMITTEE III. EVENTS &#8230;Absolutely guaranteed anonymity &#8211; Former Musician&#8217;s Union officer &#8230;The one voice of reason in a sea of insanity &#8211; Nashville &#8216;first call&#8217; scoring musician &#8230;Allows us to speak our minds without fear of reprisal &#8211; L.A. Symphonic musician &#8230;Reporting issues the Musicians [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-272","post","type-post","status-publish","format-standard","hentry","category-committee-newsletters"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=272"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/272\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=272"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=272"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}