{"id":16,"date":"2008-01-23T10:27:09","date_gmt":"2008-01-23T17:27:09","guid":{"rendered":"http:\/\/www.responsible47.com\/?p=16"},"modified":"2008-06-03T10:30:00","modified_gmt":"2008-06-03T17:30:00","slug":"rs-websiteanother-officer-attackeventscomments","status":"publish","type":"post","link":"http:\/\/www.responsible47.com\/?p=16","title":{"rendered":"RS WEBSITE\/ANOTHER OFFICER ATTACK\/EVENTS\/COMMENTS"},"content":{"rendered":"<p>I.\tMEMBERSHIP MEETING JANUARY 28th!<br \/>\nII.\tMORE ON THE NEW RS WEBSITE<br \/>\nIII.\tYET ANOTHER LOCAL 47 OFFICER ATTACK ON THE COMMITTEE<br \/>\nIV.\tEVENTS, CONCERTS AND SCHOLARSHIPS<br \/>\nV.\tMEMBER COMMENTS<\/p>\n<p>===================<\/p>\n<p>I.\tMEMBERSHIP MEETING, JANUARY 28th<\/p>\n<p>Don\u2019t forget the Membership meeting this coming January 28th,<br \/>\n7pm at the Union.<\/p>\n<p>As long as quorum is achieved, it will be a vote of the membership in<br \/>\nattendance as intended in a democracy and not the board choosing<br \/>\nfor all of us.<\/p>\n<p>Also, as a reminder. If you\u2019re going to run for the open board<br \/>\nseat and want to let everyone know, drop us a line. We\u2019ll get the<br \/>\nword out for you. <\/p>\n<p>===================<\/p>\n<p>II. MORE ON THE REFERRAL WEBSITE<\/p>\n<p>We received this further email from the member who has been in<br \/>\ncontact with the Local about the RS Website:<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Committee:<\/p>\n<p>I received an email from Amie Moore recently about the VP<br \/>\nOffice&#8217;s reply to my concerns about the limitations of the 47<br \/>\nreferral website. (A big thanks to Amie. She&#8217;s really on the stick!)<\/p>\n<p><!--more--><\/p>\n<p>The site cannot be upgraded because of prohibitive costs. That&#8217;s<br \/>\nunderstandable and plausible. The fact that the design was<br \/>\ninsufficient from the beginning (when there are literally thousands<br \/>\nof similar sites in the web) is now so much water under the<br \/>\nbridge. Too bad a good idea came out so wrong.<\/p>\n<p>At least I did get a reply. So maybe they ARE starting to hear<br \/>\nMembers. <\/p>\n<p>Now, if they could only create (enforceable) over-the\/by-the-<br \/>\ninternet tracking contracts for international use (at least a part of)<br \/>\n47 would be in the 21st century. <\/p>\n<p>Thank you guys for keeping us all informed.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Colleagues,<\/p>\n<p>Can you believe it? After wasting tens of thousands of members\u2019<br \/>\ndues with no contract to guarantee accountability, having to<br \/>\nrestart from scratch, and knowing that their job would be<br \/>\nwatched, the board oked the creation of another website that<br \/>\nwas designed with no forethought to make the infrastructure<br \/>\nexpandable!<\/p>\n<p>Yet another slap in the face to the freelance musicians of our<br \/>\nLocal, but as you will see in the comments section the RMALA<br \/>\nhas managed to find a way to have multiple links to their site on<br \/>\nthe referral page. Now who could the webmaster be? They\u2019re<br \/>\nnothing if not shamelessly blatant.<\/p>\n<p> ================<\/p>\n<p>III. YET ANOTHER LOCAL 47 OFFICER ATTACK ON THE COMMITTEE<\/p>\n<p>Another Overture, another attack on the COMMITTEE by an officer of<br \/>\nour Local. <\/p>\n<p>You\u2019ll find it not in the Secretary\u2019s column, but in another article<br \/>\nwith her by-line on page 11. If you bother to keep track, though<br \/>\nthe \u201cwriters\u201d are always different, the tenor and tone of the attacks<br \/>\nare always consistent, lending the impression that they spring from the<br \/>\nsame source.<\/p>\n<p>The section of the \u201cPolitical Action\u201d article reads:<\/p>\n<p>\u201cSpeaking of committees, it seems to me the Committee for a<br \/>\nMore Responsible Local 47 is slowly but surely self-destructing.<br \/>\nBullying tactics and anonymous attacks and pervasive negativity<br \/>\nare weakening their platform and I believe that the Local\u2019s<br \/>\nmembership is too smart to fall for such antics. In my opinion,<br \/>\nthey have strayed far from their stated mission of providing a<br \/>\n\u201cforum for union musicians to exercise their right to speak their<br \/>\nconscience, free of retribution (but subject to bounds of taste<br \/>\nand prudence),\u2026\u201d A close look at the Committee reveals that<br \/>\ntheir e-mail forum has been a platform\/vehicle for expelled and<br \/>\nresigned former members and other non-members, including<br \/>\nemployers and producers, not to mention national union-busting<br \/>\norganizations, all promoting (consciously or not) an anti-union<br \/>\nagenda. If the Committee is about a \u2018responsible Local\u201d then<br \/>\nwhose side is in on: the Local\u2019s or the National Right to Work<br \/>\nCommittee?\u201d<\/p>\n<p>OUR REACTION<\/p>\n<p>In the past, when we\u2019ve been attacked by any source, we have<br \/>\nconsistently demanded one thing:   facts to back up any assertions<br \/>\nin the attack.   Absent any facts, the attacks are worthless, as our<br \/>\nreaders have come to accept. <\/p>\n<p>In this latest case, the cleverly-worded charge is the question:   If<br \/>\nthe Committee is about a &#8220;responsible Local&#8221; then whose side is<br \/>\nit on: the Local&#8217;s or the National Right to Work Committee?   <\/p>\n<p>Our response is: Neither, as these aren&#8217;t the only two players in<br \/>\ndrama.   Please note that our attacks have never been on the Local,<br \/>\njust the questionable actions of those who run it.   If the Local is<br \/>\nrun to any degree in a manner inconsistent with the best interests<br \/>\nof the true majority of its members, then questioning those actions<br \/>\nis not attacking the Local, but defending it.   <\/p>\n<p>If we decry a decision of the local&#8217;s leadership (relating in this case<br \/>\nto Fi-core musicians) which we ethically assert runs counter to<br \/>\nFederal labor law court decisions, and the NRWC makes legal<br \/>\nthreats using the same position, that does not mean we support<br \/>\nthem in any way; we merely have independently reached a<br \/>\ncommon single conclusion.   Or is anyone suggesting that we<br \/>\nmust completely support EVERY action taken by our Local&#8217;s<br \/>\nleaders, merely because of a coincidental attack by an outside<br \/>\nentity?   <\/p>\n<p>Additionally, any attacks on our forum for accepting substantive<br \/>\ncomment from readera, regardless of current membership status,<br \/>\nbespeaks an arrogance that only current members have any wisdom<br \/>\nfrom which the Local or the National can benefit.   Apparently<br \/>\nthose who are attacking our forum are taking a stand that people<br \/>\nwho might be victims of failed Local philosophies or policies<br \/>\ncan&#8217;t possibly have anything enlightened to say about it.   What<br \/>\nhubris.   Remember, to adopt the Fi-Core status, musicians had<br \/>\nto be union members first, in some cases for decades.   These<br \/>\npeople have a story to tell about why they found it necessary to<br \/>\nleave, and it&#8217;s amazing and shameful that our Local has no desire<br \/>\nor wisdom to hear it.   <\/p>\n<p>Our job at this Committee, taken from &#8220;Inherit The Wind,&#8221; is &#8220;to<br \/>\ncomfort the afflicted and afflict the comfortable.&#8221;   It will, in part,<br \/>\nreflect the input and interests of its readers which, quite naturally,<br \/>\nebb and flow from time to time.   Do not expect the consistent<br \/>\ndelivery of a newspaper but, rest assured, we will be out there,<br \/>\nwatching our for you, the silenced majority:   the rank-and-file.<\/p>\n<p>ANOTHER ASPECT TO THE ATTACK ON THE COMMITTEE<\/p>\n<p>Another angle to that last line is to realize that just 6 months ago, the<br \/>\n accusation was that the COMMITTEE was an agent of Federation<br \/>\nPresident Tom Lee.   My, what a testament to our flexibility!   Or could<br \/>\nit be that we are just a convenient surrogate for any faction they oppose?  <\/p>\n<p>In that tradition, here are a few other opposing positions you can<br \/>\nexpect the COMMITTEE to be accused of in the upcoming months.<\/p>\n<p> -We\u2019re all Democrats; We\u2019re all Republicans<br \/>\n -We\u2019re all support HD-DVD; We all support Blu-ray<br \/>\n-We all use Mac; We all use PC.<br \/>\n-We prefer paper; We prefer plastic<br \/>\n-We follow B. F. Skinner; We follow Karl Jung<br \/>\n-We\u2019re bloods; We\u2019re crips<br \/>\n-We all like Analog; We all like Digital (Actually, we like both)<br \/>\n-We all support equal temperament; We all support mean-tone tuning.<br \/>\n-We believe it\u2019s more flavor; We believe it\u2019s less filling<br \/>\n-We all say Tomayto; We all say Tomahto<br \/>\n-We support Democracy, wherever it takes us &#8211; Well, that\u2019s true.<\/p>\n<p>We will print the views and concerns of ANY member, naturally<br \/>\nthere will be positions from all perspectives. That\u2019s democracy. <\/p>\n<p>==============<\/p>\n<p>IV. EVENTS, CONCERTS AND SCHOLARSHIPS<\/p>\n<p>JANUARY 25TH<\/p>\n<p>Notice from Kim Richmond:<\/p>\n<p>Dear fellow L.A. musicians,<br \/>\nI want you to know about the 6-piece Kim Richmond<br \/>\nEnsemble performance, next Friday at Cafe Metropol.<br \/>\nSee below for all the details.<br \/>\nThis is on the wake of our critically acclaimed new<br \/>\nCD release on the Origin label &#8220;Live at Cafe Metropol.&#8221;<\/p>\n<p>WHEN: Friday, January 25, 8 PM to 10<br \/>\nWHERE: Caf\u00e9  Metropol, 923 E. 3rd St., LA 90013<br \/>\nWHO: KIM RICHMOND Ensemble<br \/>\nJohn Daversa, trumpet<br \/>\nJoey Seller, trombone<br \/>\nRich Eames, piano<br \/>\nKristin Korb, bass<br \/>\nErik Klass, drums<br \/>\nKim Richmond, alto and soprano saxophones<br \/>\n(all the same personnel as on the recording)<br \/>\nCOVER: $10<br \/>\nGreat food, by the way.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>JANUARY 31ST<\/p>\n<p>Suezenne Fordham Chamber Jazz LA<br \/>\nThursday, January 31, 08<br \/>\nSteinway Hall at Fields Pianos<br \/>\n12121 West Pico Blvd at Bundy<br \/>\nWest LA, CA<br \/>\n818 371 7735<\/p>\n<p>Complimentary Admission<br \/>\nWe are a fusion of Bop, Classical Avant Garde with Tibetan Overtones.<br \/>\nEmphasis on fiery virtuosity and musicality. Ambience is arty. hip<br \/>\ncomfortable, historic. The Concert Experience with Jazz Passion.<br \/>\nThe music is readily accessible and totally absorbing.<\/p>\n<p>Suezenne Fordham, Steinway,<br \/>\nGu Zheng, Darren Ross, Drums and Percussion<br \/>\nNoah Garabedian, Contrabass<br \/>\nEnsemble plays Tibetan Instruments<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>DEADLINE JANUARY 31ST<\/p>\n<p>ATTENTION MUSIC STUDENTS AND TEACHERS!\u2028<br \/>\n$10,000 Scholarship Award\u2028 \u2028The MusicLink Foundation seeks<br \/>\ntalented music students ages 8-18 for\u2028the Jack Kent Cooke Young<br \/>\nArtist Award.\u2028<br \/>\n \u2028The MusicLink Foundation, working as a pipeline organization<br \/>\nfor the Jack Kent Cooke Foundation, is seeking talented music<br \/>\nstudents in financial need who may qualify for the Jack Kent<br \/>\nCooke Young ArtistAward. The goal of the Jack Kent Cooke<br \/>\nYoung Artist Award is to identify and nurture talented young<br \/>\nmusicians whose lack of financial resources might otherwise<br \/>\nhinder their progress. <\/p>\n<p>Approximately twenty-five student musicians will be selected<br \/>\nannually to receive Jack Kent Cooke Young Artist Awards. Each<br \/>\nof these students will:    \u2028<br \/>\n1. Receive $10,000 to support his\/her education and artistic<br \/>\ndevelopment (including tuition, training, or equipment);\u2028<br \/>\n2. Perform on a live taping of \u201cFrom the Top&#8217;s\u201d National Public<br \/>\nRadio\u2028show; and\u2028<br \/>\n3. Participate in a Cultural Leadership workshop in order to create\u2028<br \/>\nand implement his\/her own performance outreach activity.\u2028 \u2028<\/p>\n<p>Eligibility is limited to pre-college classical musicians (ages 8-18).<br \/>\nStudent applicants must be interested in appearing on \u201cFrom the Top&#8217;s\u201d<br \/>\npopular National Public Radio show, and demonstrate:\u20281. Exceptional<br \/>\nmusical talent;\u20282. Unmet financial need; and\u20283. Strong academic<br \/>\nachievement.\u2028 \u2028<\/p>\n<p>FINAL DEADLINE: January 31, 2008\u2028 \u2028<\/p>\n<p>Application Process:\u2028 \u2028Students interested in this Award should fill<br \/>\nout both the Jack Kent Cooke Young Artist Award application<br \/>\nand the From the Top Soloist application. Both applications can<br \/>\nbe found on From the Top&#8217;s website &#8211; www.fromthetop.org. Just<br \/>\nclick on the &#8220;Young Artist Award&#8221; link at the bottom of the page.<br \/>\nYou can also find additional information about the scholarship on<br \/>\nthis website including answers\u2028to frequently asked questions.\u2028 \u2028<\/p>\n<p>If you know of a student who may apply for this award or a teacher<br \/>\nwho may be working with talented students in financial need, please<br \/>\nforward this on. Please also send their names and email addresses to<br \/>\nJennifer Kitchin at singoutjen@verizon.net.\u2028 \u2028Please indicate on the<br \/>\napplication that you heard about the award through the MusicLink<br \/>\nFoundation (Student Application, Part IV, Question 5 =96 check the<br \/>\nbox for &#8220;MusicLink Foundation.&#8221;)\u2028 \u2028For more information, please<br \/>\ncontact:\u2028 \u2028Jennifer Kitchin\u2028singoutjen@verizon.net\u2028<br \/>\nhttp:\/\/www.musiclinkfoundation.org<\/p>\n<p>=====================<\/p>\n<p>V. MEMBER COMMENTS<\/p>\n<p>The comments below represent only the views of the members<br \/>\nand not necessarily the views of the COMMITTEE<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Hello Committee,<\/p>\n<p>I just did a casual with a pretty large group. As required, the<br \/>\ncontractor sent in a list of all the musicians on the job. A fellow<br \/>\nplayer told me that in response, Local 7 sent the contractor not<br \/>\nonly a list of the core status people on the job, but a list that<br \/>\nincluded all the core status people. I don\u2019t know if it was all the<br \/>\nones from just Local 7 or the entire area including Local 47, but<br \/>\nisn\u2019t that illegal? Aren\u2019t they inviting lawsuits? , The notice also<br \/>\ntold the contractor not to use any agency fee people if the job<br \/>\nwasn\u2019t on a CBA.<\/p>\n<p>The whole point of core-status is to be able to do union and non-<br \/>\nunion. As long as a standard AFM contract is used, don\u2019t the<br \/>\nsame rules apply?<\/p>\n<p>[Editor\u2019s comment &#8211; We suggest you write or call the local and<br \/>\nask those specific questions, then let us know what the Local<br \/>\nsays. Our understanding is it\u2019s illegal for the Local to hand out<br \/>\nlists of all the fi-core folks to contractors, though the contractors<br \/>\ncan be informed of any fi-core musicians they have on their<br \/>\ncontracts. It\u2019s also against federal labor law for contractors to out<br \/>\nfi-core people to the other musicians on the job.<\/p>\n<p>It seems to us that the Local is going out of their way to affect the<br \/>\nability of these players to make a living in their chosen profession.<br \/>\nThose who have gone fi-core are not fly-by-night musicians. They<br \/>\nare veterans of our union, many for decades, who left because<br \/>\nthey felt they were not getting what they were paying for.<\/p>\n<p>We\u2019ve also been told that Local 7 was complaining that Local 47<br \/>\nwas making it too easy for people to re-instate to full membership.<br \/>\nOdd position for a group that should welcome \u201creturning\u201d as well<br \/>\nas new members.]<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>YOUR UNION HARDLY AT WORK AND HARDLY MAKING IT WORK <\/p>\n<p>     I don&#8217;t do the Desert Symphony, but I understand that while<br \/>\nHal Espinosa was negotiating with Marilyn and Ben, he had John<br \/>\nAcosta EMD (not the cellist John Acosta) call up the Art Garfunkel<br \/>\nmanagement several times and tell them, in so many words, not to<br \/>\nshow up because there was not going to be an orchestra. I also<br \/>\nunderstand that these calls to the Art Garfunkels management<br \/>\nresulted in the Desert Symphonies&#8217; lawyers threat of a 10 million<br \/>\ndollar lawsuit against the union AND the union having to call the<br \/>\nmanagement company and apoloigize to them AND that the<br \/>\nDesert Symphony contract was subsequently ratified with lamentable<br \/>\ngains for the musicians as a result of the unions &#8216;brilliant&#8217; negotiating<br \/>\nskills. I am sure the huge pay raise that was &#8220;won&#8221; after the debacle<br \/>\nof our administrations not-so-intelligent tactical blunders can be<br \/>\nmade up for with one less concert or hiring a few less musicians. <\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>Dear Committee:<\/p>\n<p>I am absolutely amazed to see Mr. RMA Pete Anthony doing non-AFM union work<br \/>\n(conducting) in London on &#8220;The Water Horse.&#8221; Whether it&#8217;s Seattle or London,<br \/>\nit&#8217;s all the same and it&#8217;s non-union, non-AFM work. It&#8217;s an outrageous<br \/>\ndouble-standard for him to speak critically of others who do non-union work<br \/>\nand go out and do it himself, no doubt handsomely paid.<\/p>\n<p>Until the RMA elite start leading by example by NOT DOING NON-AFM WORK, they<br \/>\nhave NO PLACE criticizing ANYBODY who works non-union, whether it&#8217;s NES,<br \/>\nSeattle, London, Prague or any other non-union venue. If Pete Anthony, who<br \/>\nsays he&#8217;s a union supporter, is willing to so blatantly do non-union work,<br \/>\nthat speaks volumes about the RMA&#8217;s true lack of commitment to the concept<br \/>\nof unionism. Funny how these guys can be so critical of others, yet they now<br \/>\nare guilty of exactly the same thing &#8211; doing nonunion work &#8211; that they<br \/>\ncriticize others so much for. Complete and utter hypocrisy.<\/p>\n<p>And let&#8217;s not start with the &#8220;but it&#8217;s London, and that&#8217;s outside the US&#8221;<br \/>\nbaloney. That&#8217;s a completely false excuse &#8211; either it&#8217;s AFM or it&#8217;s not AFM.<br \/>\nPete Anthony and other AFM people like him working in London and elsewhere<br \/>\nare ENABLING the loss of work from LA musicians.  The &#8220;free pass for London<br \/>\njobs&#8221; is nothing more than an excuse cooked up so some of the AFM&#8217;s top<br \/>\ncomposer and orchestrator members wouldn&#8217;t be criticized for doing non-AFM<br \/>\nwork. Amazing.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>As quoted by Tom in the &#8221; Fines&#8221; release last year, AFM Bylaws.<br \/>\nArticle 15, Section 3 provides: 3(a) No AFM member may perform<br \/>\nservices (whether as composer, arranger, copyist, proofreader,<br \/>\ninstrumentalist, leader, contractor, cutter, editor, or in any other<br \/>\ncapacity): (1) where the product of the services is intended to result in,<br \/>\nor be embodied in, recorded music made outside of the United Sates and<br \/>\nCanada and the possessions of either; or (2) for the purpose of producing,<br \/>\nediting, or dubbing recorded music except where expressly authorized and<br \/>\ncovered by a contract with the AFM or when expressly authorized by<br \/>\nthe AFM. 3(b) Any member violating Section 3(a) shall be subject to a \ufb01ne<br \/>\nnot exceeding $50,000 and\/or expulsion.<\/p>\n<p>I don&#8217;t see any language that provides a free pass for London&#8230;. Do you??<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>Will the Officers&#8217; bogus attacks on the COMMITTEE never end?<br \/>\nNo, I guess not.<br \/>\nTime after time, all their ridiculous, false accusations tell us all:<br \/>\nThe committee hits the mark!<br \/>\nThe committee is making the difference!<br \/>\nThe committee is galvanizing Members to action!<\/p>\n<p>Listen, You-Know-Who-You-Are, you insult our intelligence with<br \/>\nyour tired old &#8220;jump on the anti-COMMITTEE bandwagon&#8221; rhetoric.<br \/>\nGet a new writer&#8230; Oops! They&#8217;re on strike.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>Oops! Caught with our pants down! Seattle Symphony (a non-union<br \/>\norchestra) gets a plug from RMALA<\/p>\n<p>    The RMALA has a banner under the &#8220;LINKS&#8221; menu in the<br \/>\nMusicians Referral Service web site. However, the Musicians<br \/>\nReferral Service is not honored at all on the RMA web site, even<br \/>\nthough the Seattle Symphony (a non-union orchestra) gets a<br \/>\nplug from the RMALA, who are listed under the &#8220;ORCHESTRAS&#8221;<br \/>\nmenu.  I would also like to note the Film Musicians Secondary<br \/>\nMarket Fund is linked to the  RMALA on their web site, with no<br \/>\nmention of Local 47.  Shouldn&#8217;t every web site that is affiliated<br \/>\nwith the AF of M and Local 47 have the AF of M logo prominently<br \/>\ndisplayed as well as a logo for Professional Musicians Local 47?<br \/>\n    As far as the union erection is concerned, I hope all will vote<br \/>\non the basis of what unions were founded upon&#8230;. socialistic<br \/>\nideas. Share the wealth and success with your fellow musicians.<br \/>\n(Referring to the RS Website page) Oh, by the way, this is what the<br \/>\nRMALA aka PMG logo looks like on the Musicians Referral Service<br \/>\nwebsite.  With the click of a mouse, it&#8217;s like hitting the side of a<br \/>\nbarn. Note there are three ways to link up to the RMALA web site.<br \/>\nCan you find them? <\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;-<\/p>\n<p>It is common knowledge that Gary Lasley is a company man and<br \/>\na &#8220;go along&#8221; personality. He is fine to work for us (on our payroll)<br \/>\nas someone who has already demonstrated that he is willing to<br \/>\n&#8220;carry the water&#8221; without questions. Every organization needs a<br \/>\ngood soldier. However, I don&#8217;t see him as any kind of independent,<br \/>\nfree-thinking, considered opinion kind of person we need to<br \/>\nMAKE and SHAPE policy.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n<p>Committee<\/p>\n<p>the referral website is a joke &#8211; it is the most inept attempt by an<br \/>\norganization to pass off a job that needs to be done by a human<br \/>\nto a website&#8230;..a bad website at that.<\/p>\n<p>You put in you want to look for a jazz band and it pulls up every<br \/>\nperson who plays jazz in local 47 that is listed on there. The job<br \/>\nneeds and demands a person. I&#8217;m pretty sure it worked real well<br \/>\nwith Schubach and then Erroll Henry. I haven&#8217;t received one job<br \/>\nsince both have not been at 47. And i used to get a great deal of<br \/>\nreferrals upon which I booked gigs and filed contracts which local<br \/>\n47 received work dues on.<\/p>\n<p>I cannot even log on to my own profile&#8230;&#8230;.<\/p>\n<p>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8211;<\/p>\n<p>heres an idea&#8230;instead of combative &#8211; committee against all RMA bad<br \/>\npeople &#8211; and Gary Lasley being shoved in by RMALA in next meting and how<br \/>\nRMALA is monopolizing local 47 &#8211;<br \/>\n&#8211; make the slant &#8211; the committee stands for any and all things like<br \/>\nmonopolization without mentioning names &#8211; and organization names <\/p>\n<p>I guess what I&#8217;m saying is to take an approach that doesn&#8217;t pit groups<br \/>\nagainst each other &#8211; it doesn&#8217;t help the over all cause <\/p>\n<p>we know the are trying and are successful at their way of the highway &#8211;<br \/>\nlets try to beat them at their own game &#8211; <\/p>\n<p>keep your enemies friends close and your enemies closer <\/p>\n<p>===================<\/p>\n<p>Colleagues,<\/p>\n<p>Once again, Please don\u2019t forget the Monday, January 28th Membership<br \/>\nmeeting at Local 47, 7PM. If there\u2019s anything you want changed you<br \/>\nhave to participate.<br \/>\n&#8230; And when you consider what changes you want, consider whether they<br \/>\nare changes that will benefit everyone, or just a small minority. Motives<br \/>\nmatter, and tell you a great deal about those who forward them.<\/p>\n<p>Until Next Time,<\/p>\n<p>THE COMMITTEE FOR A MORE RESPONSIBLE LOCAL 47<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I. MEMBERSHIP MEETING JANUARY 28th! II. MORE ON THE NEW RS WEBSITE III. YET ANOTHER LOCAL 47 OFFICER ATTACK ON THE COMMITTEE IV. EVENTS, CONCERTS AND SCHOLARSHIPS V. MEMBER COMMENTS =================== I. MEMBERSHIP MEETING, JANUARY 28th Don\u2019t forget the Membership meeting this coming January 28th, 7pm at the Union. As long as quorum is achieved, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-16","post","type-post","status-publish","format-standard","hentry","category-committee-newsletters"],"_links":{"self":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/16","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16"}],"version-history":[{"count":0,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=\/wp\/v2\/posts\/16\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.responsible47.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}